When I fell into modeling, because I wanted to work in fashion. I wanted to do styling or make-up. I ended getting picked up to be a model instead during my work experience.

Being on a Michael Bay set is... well, it's the only set I've ever been on. But I would imagine there's no set that's run quite like it. It's big, it's loud, it's powerful, it's intense, it's dirty, it's hot, it's sweaty - and it's really exciting. There's never a dull moment there's never a quiet moment.

When I started modeling, I was definitely heavier. I was quite voluptuous in fact. I had a real baby face and baby fat. But I was a baby! I was told I had to get into better shape, but I'm quite stubborn so I didn't.

I think that the biggest challenge for me making films is how much of your life you give to something. Shooting the film requires 14-hour days, six days a week.

I think jeans with a little give are the smartest for a flight.

I think a lot of people underestimate the physical demands required to be a top model. It's not just what you're doing on set, it's the strength you have to have to survive in a cutthroat industry. It's the quick wit and the quick thinking on your feet in certain situations.

I'd like to think that I'm brave. That's a really wonderful personality trait to have. I would love to think I'm the type of person to go rescue someone.

I don't even think when I'm walking down the runway. I don't really breathe either.

For shoes I try to choose a bootie style and opt for a heel that looks good but allows me to get around.