Quote

Sometimes I know what my characters are moving away from or toward more often I just wait and see. For instance, though I knew Sinkler in 'The Trusty' was going for water, I did not know that he would meet a fetching young farm wife until I got him into her front yard.

Ron Rash

Change background

T
T
T

Change font

TAGS & TOPICS

Ron Rash
Age: 71
Born: 1953
Born: September 21
Novelist
Poet
Short Story Writer
Teacher
Writer
Chester
South Carolina
Ron Vincent Rash
Young
Wife
Farms
Character
Knew
Instance
Sometimes
Waiting
Wait
Going
Though
Fronts
Fetching
Would
Water
Front
Trusty
Moving
Characters
Yard
Often
Toward
Farm
Away
Meet
Yards

More quotes by Ron Rash

Image
It struck her how eating was a comfort during a hard time because it reminded you that there had been other days, good days, when you’d eaten the same thing. Reminded you there were good days in life, when precious little else did. (268)
Ron Rash
Image
It’s ever been the way of the man of science or philosophy. Most folks stay in the dark and then complain they can’t see nothing.” – Snipes (185)
Ron Rash
Image
A place where something so terrible had happened shouldn't continue to exist in the world
Ron Rash
Image
Don't love anything that can be taken away.
Ron Rash
Image
A small profit is better than a big loss.
Ron Rash
Image
Faulkner came from my region and taught me how you could write about a place.
Ron Rash
Image
I learnt how to hunt rattlesnakes with an eagle for Serena.
Ron Rash
Image
Peter Geye has rendered the Minnesota north shore in all its stark, dangerous beauty, and it is the perfect backdrop for this deeply moving story of conflict and forgiveness. Safe from the Sea is a remarkable debut.
Ron Rash
Image
We had some good times at school. I didn't know how good those times were until I left, but I guess that's the way of it
Ron Rash
Image
On the last drafts, I focus on the words themselves, including the rub of vowels and consonants, stressed and unstressed syllables. Yet even at this stage I'm often surprised. A different ending or a new character shows up and I'm back to where I began, letting the story happen, just trying to stay out of the way.
Ron Rash
Image
She realized that being starved for words was the same as being starved for food, because both left a hollow place inside you, a place you needed filled to make it through another day. Rachel remembered how growing up she’d thought living on a farm with just a father was as lonely as you could be. (130)
Ron Rash
Image
Short fiction is the medium I love the most, because it requires that I bring everything I've learned about poetry - the concision, the ability to say something as vividly as possible - but also the ability to create a narrative that, though lacking a novel's length, satisfies the reader.
Ron Rash
Image
I wouldn't mind being a track and field coach.
Ron Rash
Image
It's a hard place this world can be. No wonder a baby cries coming in to it. Tears from the start
Ron Rash
Image
I think that's what I love about writing, is the ability to try to, in a sense, take a vacation from yourself and try to enter the sensibility of another time, another character, another place.
Ron Rash
Image
As I get older I find myself thinking it all begins with Shakespeare.
Ron Rash
Image
Intensely moving but never sentimental, Academy Street is a profound meditation on what Faulkner called 'the human heart in conflict with itself'. In Tess Lohan, Mary Costello has created one of the most fully realized characters in contemporary fiction. What a marvel of a book.
Ron Rash
Image
One thing's sure and nothing surer. The rich get richer and the poor get- children
Ron Rash
Image
I live in Cullowhee, North Carolina. That's where I teach, at Western Carolina University. That region is where my family has lived for a long time and that region is my landscape.
Ron Rash
Image
I usually do at least a dozen drafts and progressively make more-conscious decisions. Because I've always believed stories are closer to poems than novels, I spend a lot of time on the story's larger rhythms, such as sentence and paragraph length, placement of flashbacks and dialogue.
Ron Rash