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I've always wanted to have my own studio because this is a way for me to finally take all things that I've always dreamt about and actually put them into action.

Ron Perlman

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Ron Perlman
Age: 74
Born: 1950
Born: April 13
Actor
Character Actor
Comedian
Dub Actor
Film Actor
Screenwriter
Television Actor
Voice Actor
The Heights
Ronald N. Perlman
Ronald N. Ron Perlman
Ronald Francis Perlman
Finally
Actually
Action
Wanted
Take
Way
Dreamt
Always
Studio
Things
Studios

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The great thing about arriving at this age is that I don't even care about my career anymore.
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I'm kind of one of these guys who wants to play everything once before it's all over.
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Independent film is almost nonexistent right now, because all the distributers that used to love to put out these little art films are all out of business right now, because it costs so much to open a movie.
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I'm just trying to make up for lost times, and I have total awareness that when the work is coming it doesn't mean it's going to continue to come, so I'm taking advantage of this phenomenal period that I'm in now, to its fullest.
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It's nice to get paid for therapy rather than having to pay $240 an hour for it.
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I, for one, am not nearly as engaged when I'm looking at something that's been completely drawn up on a computer that replaces anything that's in real time and real space. It just engages me all the less, rather than all the more.
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A lot of people have been bent one way or the other on that. I'm not going to weigh in on that I'm happy to still be at large, I'll just put it that way.
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I say yes to almost anything that comes my way.
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Guys who are larger than life and theatrical and deliciously unpredictable - they're far more interesting than the good guys most of the time. They have these psychological layers that an audience can really cling on to, become fascinated with, much more so than these true-blue, one-dimensional, square-jawed good guys.
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I've never worked with a tail, that I can remember. But there's so much I can't remember.
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My self-confidence didn't come from my appearance, it came from other things that I did. But certainly not my appearance.
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I had an opportunity to be in Frank's [Sinatra] circle, but I couldn't take advantage of it because I couldn't get over how awed I was by him. It was so uncomfortable for me because he meant so much to me, but I just couldn't be myself, so I fled rather than having those great nights hanging out.
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I was working more on a primal, instinctive level. And it just seemed to suit me it seemed to suit my concentration span, it seemed to suit my personal style of performance, and I have fallen in love with film acting.
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I just think that there are those people that their resolve is strengthened by what it is that's keeping them down, and there are some people that will buckle under it. You never know which one is which until you get into the eighth or ninth round of the fight.
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I lost 90 pounds and my blood pressure went down to a normal level and the salt in my urine disappeared. And that was when I had to make the transition from fat character actor to thin character actor.
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The luxury of television is that you get more than one shot at who you think the guy is that you're playing.
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I'm fully aware that things that resonate and become real hits are the exception to the rule, so much so that I've wired myself for failure.
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I expect that everything I do will be not watched or not seen. That way, I'm never disappointed when I become flooded with that reality.
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I love showing up and giving a performance without the benefit of a lot of rehearsal or dissection. It's fun to me to act on a kind of instinctual level and go straight for the performance.
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I do voicework all the time.
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