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Independent film is almost nonexistent right now, because all the distributers that used to love to put out these little art films are all out of business right now, because it costs so much to open a movie.

Ron Perlman

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Ron Perlman
Age: 74
Born: 1950
Born: April 13
Actor
Character Actor
Comedian
Dub Actor
Film Actor
Screenwriter
Television Actor
Voice Actor
The Heights
Ronald N. Perlman
Ronald N. Ron Perlman
Ronald Francis Perlman
Film
Independent
Used
Films
Littles
Cost
Little
Open
Right
Movie
Much
Almost
Love
Business
Nonexistent
Art
Costs

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I'm fully aware that things that resonate and become real hits are the exception to the rule, so much so that I've wired myself for failure.
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My self-confidence didn't come from my appearance, it came from other things that I did. But certainly not my appearance.
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Look at the people who are coming to television Ridley Scott, Ang Lee or Guillermo del Toro - all these great filmmakers - actively put themselves back into TV. That's because the environment is very encouraging for bold storytelling, storytelling that you've never seen before.
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You start talking about God and a lot of people are going to become very defensive.
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You draw on your own childhood every time you tee it up as an actor.
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I'm kind of one of these guys who wants to play everything once before it's all over.
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I love to continue to challenge myself and put myself in situations that are slightly uncomfortable.
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I never direct myself, because I don't like working with me. I would punch me in the mouth if I had to take my direction.
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I, for one, am not nearly as engaged when I'm looking at something that's been completely drawn up on a computer that replaces anything that's in real time and real space. It just engages me all the less, rather than all the more.
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I'm not religious, but I am spiritual. I have my own relationship with a being that I consider to be everywhere. All and everything. I don't need a church or a synagogue or a mosque. I don't need to kneel down, I don't need to stand up, I don't need to be hanging from a thread.
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I've always wanted to have my own studio because this is a way for me to finally take all things that I've always dreamt about and actually put them into action.
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I just think that there are those people that their resolve is strengthened by what it is that's keeping them down, and there are some people that will buckle under it. You never know which one is which until you get into the eighth or ninth round of the fight.
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Distortions control my self-image, like they do for a lot of us. It's irrational.
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Each character represents a different color on the big palette of what this ultimate painting is going to look like, who your guy is, and just try to be as honest and simple and real as you can possibly be. The outer trappings are incidental - costumes, period, makeup - all of that is rather insignificant at the end of the day.
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A lot of people have been bent one way or the other on that. I'm not going to weigh in on that I'm happy to still be at large, I'll just put it that way.
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The great thing about arriving at this age is that I don't even care about my career anymore.
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I expect that everything I do will be not watched or not seen. That way, I'm never disappointed when I become flooded with that reality.
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I say yes to almost anything that comes my way.
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I had an opportunity to be in Frank's [Sinatra] circle, but I couldn't take advantage of it because I couldn't get over how awed I was by him. It was so uncomfortable for me because he meant so much to me, but I just couldn't be myself, so I fled rather than having those great nights hanging out.
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The only way to grab the attention of the audience is originality. We feed ourselves with franchises that's the opposite of what makes our culture multidimensional and interesting.
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