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Independent film is almost nonexistent right now, because all the distributers that used to love to put out these little art films are all out of business right now, because it costs so much to open a movie.

Ron Perlman

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Ron Perlman
Age: 74
Born: 1950
Born: April 13
Actor
Character Actor
Comedian
Dub Actor
Film Actor
Screenwriter
Television Actor
Voice Actor
The Heights
Ronald N. Perlman
Ronald N. Ron Perlman
Ronald Francis Perlman
Little
Open
Right
Movie
Much
Almost
Love
Business
Nonexistent
Art
Costs
Film
Independent
Used
Films
Littles
Cost

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I say yes to almost anything that comes my way.
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The luxury of television is that you get more than one shot at who you think the guy is that you're playing.
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I do voicework all the time.
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Look at the people who are coming to television Ridley Scott, Ang Lee or Guillermo del Toro - all these great filmmakers - actively put themselves back into TV. That's because the environment is very encouraging for bold storytelling, storytelling that you've never seen before.
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I like to believe that everyone is born with the same skill set, and that it is the influences that one comes upon.
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Distortions control my self-image, like they do for a lot of us. It's irrational.
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I'm just trying to make up for lost times, and I have total awareness that when the work is coming it doesn't mean it's going to continue to come, so I'm taking advantage of this phenomenal period that I'm in now, to its fullest.
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I lost 90 pounds and my blood pressure went down to a normal level and the salt in my urine disappeared. And that was when I had to make the transition from fat character actor to thin character actor.
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None of us are any better than anyone else and none of us are any worse than anyone else, and we're all equal and whatever we can do to celebrate our commonality rather than our differences, which is what religion does, to me... religion just compartmentalizes people and makes everybody into a box.
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I was working more on a primal, instinctive level. And it just seemed to suit me it seemed to suit my concentration span, it seemed to suit my personal style of performance, and I have fallen in love with film acting.
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I, for one, am not nearly as engaged when I'm looking at something that's been completely drawn up on a computer that replaces anything that's in real time and real space. It just engages me all the less, rather than all the more.
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You draw on your own childhood every time you tee it up as an actor.
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Cinema to me is like a religion. If I was going to have a religion it would be cinema.
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Each character represents a different color on the big palette of what this ultimate painting is going to look like, who your guy is, and just try to be as honest and simple and real as you can possibly be. The outer trappings are incidental - costumes, period, makeup - all of that is rather insignificant at the end of the day.
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I love showing up and giving a performance without the benefit of a lot of rehearsal or dissection. It's fun to me to act on a kind of instinctual level and go straight for the performance.
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I had an opportunity to be in Frank's [Sinatra] circle, but I couldn't take advantage of it because I couldn't get over how awed I was by him. It was so uncomfortable for me because he meant so much to me, but I just couldn't be myself, so I fled rather than having those great nights hanging out.
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Guys who are larger than life and theatrical and deliciously unpredictable - they're far more interesting than the good guys most of the time. They have these psychological layers that an audience can really cling on to, become fascinated with, much more so than these true-blue, one-dimensional, square-jawed good guys.
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Almost all of your life is lived by the seat of your pants, one unexpected event crashing into another, with no pattern or reason, and then you finally reach a point, around my age, where you spend more time than ever looking back. Why did this happen? Look where that led? You see the shape of things.
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I've never worked with a tail, that I can remember. But there's so much I can't remember.
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I never direct myself, because I don't like working with me. I would punch me in the mouth if I had to take my direction.
Ron Perlman