Quote

I lost 90 pounds and my blood pressure went down to a normal level and the salt in my urine disappeared. And that was when I had to make the transition from fat character actor to thin character actor.

Ron Perlman

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Ron Perlman
Age: 74
Born: 1950
Born: April 13
Actor
Character Actor
Comedian
Dub Actor
Film Actor
Screenwriter
Television Actor
Voice Actor
The Heights
Ronald N. Perlman
Ronald N. Ron Perlman
Ronald Francis Perlman
Make
Level
Disappeared
Actor
Thin
Levels
Salt
Blood
Transition
Went
Fats
Actors
Pounds
Lost
Pressure
Character
Normal
Urine

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I, for one, am not nearly as engaged when I'm looking at something that's been completely drawn up on a computer that replaces anything that's in real time and real space. It just engages me all the less, rather than all the more.
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I think now that I'm in the autumn of my life, and I'm getting a chance of having an overview and looking at the shape of how things happen, when things happen, why things happen, I think it was fitting that I spent most of my early career doing mask work, because I just don't think I was that comfortable in my own skin.
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I had an opportunity to be in Frank's [Sinatra] circle, but I couldn't take advantage of it because I couldn't get over how awed I was by him. It was so uncomfortable for me because he meant so much to me, but I just couldn't be myself, so I fled rather than having those great nights hanging out.
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Distortions control my self-image, like they do for a lot of us. It's irrational.
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I say yes to almost anything that comes my way.
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I was working more on a primal, instinctive level. And it just seemed to suit me it seemed to suit my concentration span, it seemed to suit my personal style of performance, and I have fallen in love with film acting.
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That's always been Guillermo's preference, is to have as much there practically as is humanly possible, and that digital graphic images are more a punctuation mark than they are a replacement.
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A lot of people have been bent one way or the other on that. I'm not going to weigh in on that I'm happy to still be at large, I'll just put it that way.
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I've never worked with a tail, that I can remember. But there's so much I can't remember.
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You start talking about God and a lot of people are going to become very defensive.
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Fearless people are interesting to watch.
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I've certainly been very blessed with opportunity.
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I don't ever want to be comfortable with anything I'm doing.
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Each character represents a different color on the big palette of what this ultimate painting is going to look like, who your guy is, and just try to be as honest and simple and real as you can possibly be. The outer trappings are incidental - costumes, period, makeup - all of that is rather insignificant at the end of the day.
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I will not do a role that I don't think I can do, that I'm not interested in, where there's no humanity, that doesn't have any kind of handle for me at all because I know I'll just stink the joint up.
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My self-confidence didn't come from my appearance, it came from other things that I did. But certainly not my appearance.
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Guys who are larger than life and theatrical and deliciously unpredictable - they're far more interesting than the good guys most of the time. They have these psychological layers that an audience can really cling on to, become fascinated with, much more so than these true-blue, one-dimensional, square-jawed good guys.
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I never direct myself, because I don't like working with me. I would punch me in the mouth if I had to take my direction.
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Look at the people who are coming to television Ridley Scott, Ang Lee or Guillermo del Toro - all these great filmmakers - actively put themselves back into TV. That's because the environment is very encouraging for bold storytelling, storytelling that you've never seen before.
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I'm kind of one of these guys who wants to play everything once before it's all over.
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