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I think if I was ever really going to be more serious about writing I'd have to try and find some way to do it with other people. I do find the silence kind of eerie.

Romola Garai

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Romola Garai
Age: 42
Born: 1982
Born: August 6
Actor
Actress
Film Actor
Film Director
Stage Actor
Hong Kong SAR
China
Romola Sadie Garai
Going
Kind
Eerie
Really
Silence
Think
Serious
Thinking
Find
People
Ever
Writing
Trying

More quotes by Romola Garai

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I have always been interested in gender politics, so I'm not that keen on doing things that don't represent a truth about women.
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Motherhood so often comes in conflict with women's capacity to express and live their own lives.
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I get quite disappointed that we're still telling stories that I think are problematic in terms of what they're saying about women.
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I get grumpy about the innate conservatism of our tastes I love bold theatre, and I get annoyed when a heritage piece is really successful.
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I'd actually really love to review books and films and plays, but you can't be an artist and a critic. I would love it if I could.
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When you're on stage, you build strong relationships with the actors, but it's a story you tell with the audience - you have to include them, you have to respond to them, they have to understand the narrative.
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The worst thing you can do as a performer is to judge your character in any way, positively or negatively.
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I really like films and plays that cross over different genres. So I'd like to do something that you think is a drama and then you think is a supernatural thing and then becomes a drama again. That's very vague.
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When you talk to women who were working as print journalists or in broadcasting in the '50s, and then you talk to women who were working in the late '60s, there's an enormous difference. There had already been a huge transition. Then, of course, you get well into the '70s and there were women with children working.
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My alter egos have changed a lot over the years. When I was a child, I was a black horse called Storm. Whinnying and jumping over bamboo poles in the garden took up pretty much my entire childhood.
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Women don't question themselves when they enter into a story that has male characters, but men do question the validity of a female narrative.
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You don't have to conform to a very specific aesthetic today, whereas 1950s women definitely had to.
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I can't spend the rest of my life being pretty in a bonnet.
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I'm fundamentally a busy person I spend my time doing useful things and profoundly useless things!
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I think I was quite lucky in that I went to an all-girls school. I was never put in an environment where I had to be the other - the woman as opposed to the man - all the way through my education. I was never made to feel that way at home.
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I've worked with actors who tell everyone what to do in the scene - that makes me go pretty atomic.
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I cheated at the Model United Nations when I was 13 and had to get up and apologise in front of the whole conference.
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The language of freedom-fighting was so co-opted by the baby boomers in order to express their now-hopelessly compromised ideologies that no other generation could emulate it without a smirk. This has created an apathetic generation in the West, with young people no longer distinguishing between the old order and the new.
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Normally, when youre working on something, there are other characters that you have alliances with, and you have unified goals with some characters.
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I think it's very repressive for a woman to be constantly told that she has to make films about women to better represent women, but then the reverse is not found.
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