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I don't really want to play parts that I think are not fully developed or fleshed out, especially with female roles.

Romola Garai

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Romola Garai
Age: 42
Born: 1982
Born: August 6
Actor
Actress
Film Actor
Film Director
Stage Actor
Hong Kong SAR
China
Romola Sadie Garai
Think
Developed
Thinking
Fully
Parts
Female
Especially
Roles
Play
Really
Fleshed

More quotes by Romola Garai

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I have a very strong, probably slightly aggressive personality, and so that just ends up coming out regardless of what I try to do.
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Women don't question themselves when they enter into a story that has male characters, but men do question the validity of a female narrative.
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I think if I was ever really going to be more serious about writing I'd have to try and find some way to do it with other people. I do find the silence kind of eerie.
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The worst thing you can do as a performer is to judge your character in any way, positively or negatively.
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I get quite disappointed that we're still telling stories that I think are problematic in terms of what they're saying about women.
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I wish I was a more adventurous person in a way. But actually, security is a really big deal for me.
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Motherhood so often comes in conflict with women's capacity to express and live their own lives.
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If you read reviews that you think by their very nature are not respectful of the actresses involved or not appreciating the work as it should be, I think you should write to reviewers or comment and say, Are you kidding me?
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I'd actually really love to review books and films and plays, but you can't be an artist and a critic. I would love it if I could.
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Female ambition is such a complicated thing to play because it is an aggressive quality, and people respond very badly to women exhibiting any kind of aggression.
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If you are an actress in L.A., on your 40th birthday they should just hand you the keys to the lunatic asylum.
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If you're going to make great art, you have to make it at a huge cost - you have to be prepared to sacrifice what other people think of you, other people's opinions, and you have to make personal sacrifices.
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The language of freedom-fighting was so co-opted by the baby boomers in order to express their now-hopelessly compromised ideologies that no other generation could emulate it without a smirk. This has created an apathetic generation in the West, with young people no longer distinguishing between the old order and the new.
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I would argue that something dark is lurking between the sexes, and that it is seeping out into cinema.
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I'm fundamentally a busy person I spend my time doing useful things and profoundly useless things!
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I'm not interested in going to see films that massively overrepresent men over women. It's lik,e how much more have we got to say about this? Like men in war and dealing with their masculinity in conflict. I just think we've exhausted the landscape.
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Acting is a strange job because your control is very limited.
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I have always been interested in gender politics, so I'm not that keen on doing things that don't represent a truth about women.
Romola Garai
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My alter egos have changed a lot over the years. When I was a child, I was a black horse called Storm. Whinnying and jumping over bamboo poles in the garden took up pretty much my entire childhood.
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When you talk to women who were working as print journalists or in broadcasting in the '50s, and then you talk to women who were working in the late '60s, there's an enormous difference. There had already been a huge transition. Then, of course, you get well into the '70s and there were women with children working.
Romola Garai