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I really like films and plays that cross over different genres. So I'd like to do something that you think is a drama and then you think is a supernatural thing and then becomes a drama again. That's very vague.

Romola Garai

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Romola Garai
Age: 42
Born: 1982
Born: August 6
Actor
Actress
Film Actor
Film Director
Stage Actor
Hong Kong SAR
China
Romola Sadie Garai
Different
Genre
Thing
Cross
Something
Crosses
Really
Drama
Think
Films
Genres
Thinking
Becomes
Supernatural
Like
Film
Vague
Play
Plays

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If you are an actress in L.A., on your 40th birthday they should just hand you the keys to the lunatic asylum.
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I don't really want to play parts that I think are not fully developed or fleshed out, especially with female roles.
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I have always been interested in gender politics, so I'm not that keen on doing things that don't represent a truth about women.
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Women don't question themselves when they enter into a story that has male characters, but men do question the validity of a female narrative.
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Normally, when youre working on something, there are other characters that you have alliances with, and you have unified goals with some characters.
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I'd actually really love to review books and films and plays, but you can't be an artist and a critic. I would love it if I could.
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I get quite disappointed that we're still telling stories that I think are problematic in terms of what they're saying about women.
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Postwar Europe was morally stagnant, and there was a lot of neo-conservatism.
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I get grumpy about the innate conservatism of our tastes I love bold theatre, and I get annoyed when a heritage piece is really successful.
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When you talk to women who were working as print journalists or in broadcasting in the '50s, and then you talk to women who were working in the late '60s, there's an enormous difference. There had already been a huge transition. Then, of course, you get well into the '70s and there were women with children working.
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Acting is a strange job because your control is very limited.
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I can't spend the rest of my life being pretty in a bonnet.
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I think it took a long time for me to realise that as much as I respect reviews and do engage with reviewers as a viewer of the theatre, television and film it's really unhelpful. Even if people make perceptive and interesting comments about your performance, it is so subjective and you will come in and change what you do, you can't help it.
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I have a very strong, probably slightly aggressive personality, and so that just ends up coming out regardless of what I try to do.
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I think I was quite lucky in that I went to an all-girls school. I was never put in an environment where I had to be the other - the woman as opposed to the man - all the way through my education. I was never made to feel that way at home.
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You don't have to conform to a very specific aesthetic today, whereas 1950s women definitely had to.
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I've worked with actors who tell everyone what to do in the scene - that makes me go pretty atomic.
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I'm fundamentally a busy person I spend my time doing useful things and profoundly useless things!
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If you read reviews that you think by their very nature are not respectful of the actresses involved or not appreciating the work as it should be, I think you should write to reviewers or comment and say, Are you kidding me?
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