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I really like films and plays that cross over different genres. So I'd like to do something that you think is a drama and then you think is a supernatural thing and then becomes a drama again. That's very vague.

Romola Garai

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Romola Garai
Age: 42
Born: 1982
Born: August 6
Actor
Actress
Film Actor
Film Director
Stage Actor
Hong Kong SAR
China
Romola Sadie Garai
Think
Films
Genres
Thinking
Becomes
Supernatural
Like
Film
Vague
Play
Plays
Different
Genre
Thing
Cross
Something
Crosses
Really
Drama

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As a kid, I really loved 'Jane Eyre,' I used to fantasise that the past was so much better and my lifetime was crap.
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I think I was quite lucky in that I went to an all-girls school. I was never put in an environment where I had to be the other - the woman as opposed to the man - all the way through my education. I was never made to feel that way at home.
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Acting is a strange job because your control is very limited.
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I have always been interested in gender politics, so I'm not that keen on doing things that don't represent a truth about women.
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We live in a society where children are expected to become adults overnight.
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I cheated at the Model United Nations when I was 13 and had to get up and apologise in front of the whole conference.
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I just don't believe you're capable of being an actor unless you have a desire to experience your emotions in a public way.
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When you're on stage, you build strong relationships with the actors, but it's a story you tell with the audience - you have to include them, you have to respond to them, they have to understand the narrative.
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I get grumpy about the innate conservatism of our tastes I love bold theatre, and I get annoyed when a heritage piece is really successful.
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Women don't question themselves when they enter into a story that has male characters, but men do question the validity of a female narrative.
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Normally, when youre working on something, there are other characters that you have alliances with, and you have unified goals with some characters.
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I think it's very repressive for a woman to be constantly told that she has to make films about women to better represent women, but then the reverse is not found.
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If you're going to make great art, you have to make it at a huge cost - you have to be prepared to sacrifice what other people think of you, other people's opinions, and you have to make personal sacrifices.
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I would argue that something dark is lurking between the sexes, and that it is seeping out into cinema.
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I think if I was ever really going to be more serious about writing I'd have to try and find some way to do it with other people. I do find the silence kind of eerie.
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Female ambition is such a complicated thing to play because it is an aggressive quality, and people respond very badly to women exhibiting any kind of aggression.
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When you talk to women who were working as print journalists or in broadcasting in the '50s, and then you talk to women who were working in the late '60s, there's an enormous difference. There had already been a huge transition. Then, of course, you get well into the '70s and there were women with children working.
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Motherhood so often comes in conflict with women's capacity to express and live their own lives.
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If you read reviews that you think by their very nature are not respectful of the actresses involved or not appreciating the work as it should be, I think you should write to reviewers or comment and say, Are you kidding me?
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I'd actually really love to review books and films and plays, but you can't be an artist and a critic. I would love it if I could.
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