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I really like films and plays that cross over different genres. So I'd like to do something that you think is a drama and then you think is a supernatural thing and then becomes a drama again. That's very vague.

Romola Garai

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Romola Garai
Age: 42
Born: 1982
Born: August 6
Actor
Actress
Film Actor
Film Director
Stage Actor
Hong Kong SAR
China
Romola Sadie Garai
Plays
Play
Genre
Different
Cross
Thing
Crosses
Something
Drama
Really
Films
Genres
Think
Becomes
Supernatural
Thinking
Vague
Like
Film

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My alter egos have changed a lot over the years. When I was a child, I was a black horse called Storm. Whinnying and jumping over bamboo poles in the garden took up pretty much my entire childhood.
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As a kid, I really loved 'Jane Eyre,' I used to fantasise that the past was so much better and my lifetime was crap.
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Motherhood so often comes in conflict with women's capacity to express and live their own lives.
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I just don't believe you're capable of being an actor unless you have a desire to experience your emotions in a public way.
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Acting is a strange job because your control is very limited.
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I think I was quite lucky in that I went to an all-girls school. I was never put in an environment where I had to be the other - the woman as opposed to the man - all the way through my education. I was never made to feel that way at home.
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I'm not interested in going to see films that massively overrepresent men over women. It's lik,e how much more have we got to say about this? Like men in war and dealing with their masculinity in conflict. I just think we've exhausted the landscape.
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I have a very strong, probably slightly aggressive personality, and so that just ends up coming out regardless of what I try to do.
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The worst thing you can do as a performer is to judge your character in any way, positively or negatively.
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When you talk to women who were working as print journalists or in broadcasting in the '50s, and then you talk to women who were working in the late '60s, there's an enormous difference. There had already been a huge transition. Then, of course, you get well into the '70s and there were women with children working.
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I would argue that something dark is lurking between the sexes, and that it is seeping out into cinema.
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I think if I was ever really going to be more serious about writing I'd have to try and find some way to do it with other people. I do find the silence kind of eerie.
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I cheated at the Model United Nations when I was 13 and had to get up and apologise in front of the whole conference.
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You don't have to conform to a very specific aesthetic today, whereas 1950s women definitely had to.
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If you're going to make great art, you have to make it at a huge cost - you have to be prepared to sacrifice what other people think of you, other people's opinions, and you have to make personal sacrifices.
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Postwar Europe was morally stagnant, and there was a lot of neo-conservatism.
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I wish I was a more adventurous person in a way. But actually, security is a really big deal for me.
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I don't really want to play parts that I think are not fully developed or fleshed out, especially with female roles.
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I'm fundamentally a busy person I spend my time doing useful things and profoundly useless things!
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I get grumpy about the innate conservatism of our tastes I love bold theatre, and I get annoyed when a heritage piece is really successful.
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