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When you're on stage, you build strong relationships with the actors, but it's a story you tell with the audience - you have to include them, you have to respond to them, they have to understand the narrative.

Romola Garai

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Romola Garai
Age: 42
Born: 1982
Born: August 6
Actor
Actress
Film Actor
Film Director
Stage Actor
Hong Kong SAR
China
Romola Sadie Garai
Stories
Build
Stage
Audience
Story
Actors
Include
Understand
Respond
Strong
Narrative
Tell
Relationships

More quotes by Romola Garai

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My alter egos have changed a lot over the years. When I was a child, I was a black horse called Storm. Whinnying and jumping over bamboo poles in the garden took up pretty much my entire childhood.
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Women don't question themselves when they enter into a story that has male characters, but men do question the validity of a female narrative.
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Normally, when youre working on something, there are other characters that you have alliances with, and you have unified goals with some characters.
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Female ambition is such a complicated thing to play because it is an aggressive quality, and people respond very badly to women exhibiting any kind of aggression.
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I think if I was ever really going to be more serious about writing I'd have to try and find some way to do it with other people. I do find the silence kind of eerie.
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I've worked with actors who tell everyone what to do in the scene - that makes me go pretty atomic.
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I'd actually really love to review books and films and plays, but you can't be an artist and a critic. I would love it if I could.
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I really like films and plays that cross over different genres. So I'd like to do something that you think is a drama and then you think is a supernatural thing and then becomes a drama again. That's very vague.
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I'm fundamentally a busy person I spend my time doing useful things and profoundly useless things!
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If you are an actress in L.A., on your 40th birthday they should just hand you the keys to the lunatic asylum.
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Motherhood so often comes in conflict with women's capacity to express and live their own lives.
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I have always been interested in gender politics, so I'm not that keen on doing things that don't represent a truth about women.
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I have a very strong, probably slightly aggressive personality, and so that just ends up coming out regardless of what I try to do.
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You don't have to conform to a very specific aesthetic today, whereas 1950s women definitely had to.
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As a kid, I really loved 'Jane Eyre,' I used to fantasise that the past was so much better and my lifetime was crap.
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I think it took a long time for me to realise that as much as I respect reviews and do engage with reviewers as a viewer of the theatre, television and film it's really unhelpful. Even if people make perceptive and interesting comments about your performance, it is so subjective and you will come in and change what you do, you can't help it.
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When you talk to women who were working as print journalists or in broadcasting in the '50s, and then you talk to women who were working in the late '60s, there's an enormous difference. There had already been a huge transition. Then, of course, you get well into the '70s and there were women with children working.
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Acting is a strange job because your control is very limited.
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I wish I was a more adventurous person in a way. But actually, security is a really big deal for me.
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I cheated at the Model United Nations when I was 13 and had to get up and apologise in front of the whole conference.
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