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Postwar Europe was morally stagnant, and there was a lot of neo-conservatism.

Romola Garai

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Romola Garai
Age: 42
Born: 1982
Born: August 6
Actor
Actress
Film Actor
Film Director
Stage Actor
Hong Kong SAR
China
Romola Sadie Garai
Postwar
Stagnant
Conservatism
Morally
Europe

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I just don't believe you're capable of being an actor unless you have a desire to experience your emotions in a public way.
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I'd actually really love to review books and films and plays, but you can't be an artist and a critic. I would love it if I could.
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I cheated at the Model United Nations when I was 13 and had to get up and apologise in front of the whole conference.
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I can't spend the rest of my life being pretty in a bonnet.
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If you're going to make great art, you have to make it at a huge cost - you have to be prepared to sacrifice what other people think of you, other people's opinions, and you have to make personal sacrifices.
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I get grumpy about the innate conservatism of our tastes I love bold theatre, and I get annoyed when a heritage piece is really successful.
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As a kid, I really loved 'Jane Eyre,' I used to fantasise that the past was so much better and my lifetime was crap.
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I've worked with actors who tell everyone what to do in the scene - that makes me go pretty atomic.
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I think it took a long time for me to realise that as much as I respect reviews and do engage with reviewers as a viewer of the theatre, television and film it's really unhelpful. Even if people make perceptive and interesting comments about your performance, it is so subjective and you will come in and change what you do, you can't help it.
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I don't really want to play parts that I think are not fully developed or fleshed out, especially with female roles.
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When you talk to women who were working as print journalists or in broadcasting in the '50s, and then you talk to women who were working in the late '60s, there's an enormous difference. There had already been a huge transition. Then, of course, you get well into the '70s and there were women with children working.
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I'm not interested in going to see films that massively overrepresent men over women. It's lik,e how much more have we got to say about this? Like men in war and dealing with their masculinity in conflict. I just think we've exhausted the landscape.
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Normally, when youre working on something, there are other characters that you have alliances with, and you have unified goals with some characters.
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We live in a society where children are expected to become adults overnight.
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I would argue that something dark is lurking between the sexes, and that it is seeping out into cinema.
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Women don't question themselves when they enter into a story that has male characters, but men do question the validity of a female narrative.
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I get quite disappointed that we're still telling stories that I think are problematic in terms of what they're saying about women.
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I think if I was ever really going to be more serious about writing I'd have to try and find some way to do it with other people. I do find the silence kind of eerie.
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I have always been interested in gender politics, so I'm not that keen on doing things that don't represent a truth about women.
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