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If you are an actress in L.A., on your 40th birthday they should just hand you the keys to the lunatic asylum.
Romola Garai
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Romola Garai
Age: 42
Born: 1982
Born: August 6
Actor
Actress
Film Actor
Film Director
Stage Actor
Hong Kong SAR
China
Romola Sadie Garai
Hand
Hands
Asylum
Asylums
Lunatic
Actress
Birthday
Actresses
Keys
More quotes by Romola Garai
Acting is a strange job because your control is very limited.
Romola Garai
I wish I was a more adventurous person in a way. But actually, security is a really big deal for me.
Romola Garai
I don't really want to play parts that I think are not fully developed or fleshed out, especially with female roles.
Romola Garai
I can't spend the rest of my life being pretty in a bonnet.
Romola Garai
If you read reviews that you think by their very nature are not respectful of the actresses involved or not appreciating the work as it should be, I think you should write to reviewers or comment and say, Are you kidding me?
Romola Garai
I get grumpy about the innate conservatism of our tastes I love bold theatre, and I get annoyed when a heritage piece is really successful.
Romola Garai
Normally, when youre working on something, there are other characters that you have alliances with, and you have unified goals with some characters.
Romola Garai
My alter egos have changed a lot over the years. When I was a child, I was a black horse called Storm. Whinnying and jumping over bamboo poles in the garden took up pretty much my entire childhood.
Romola Garai
I get quite disappointed that we're still telling stories that I think are problematic in terms of what they're saying about women.
Romola Garai
I think if I was ever really going to be more serious about writing I'd have to try and find some way to do it with other people. I do find the silence kind of eerie.
Romola Garai
Female ambition is such a complicated thing to play because it is an aggressive quality, and people respond very badly to women exhibiting any kind of aggression.
Romola Garai
When you talk to women who were working as print journalists or in broadcasting in the '50s, and then you talk to women who were working in the late '60s, there's an enormous difference. There had already been a huge transition. Then, of course, you get well into the '70s and there were women with children working.
Romola Garai
I think it took a long time for me to realise that as much as I respect reviews and do engage with reviewers as a viewer of the theatre, television and film it's really unhelpful. Even if people make perceptive and interesting comments about your performance, it is so subjective and you will come in and change what you do, you can't help it.
Romola Garai
I've worked with actors who tell everyone what to do in the scene - that makes me go pretty atomic.
Romola Garai
If you're going to make great art, you have to make it at a huge cost - you have to be prepared to sacrifice what other people think of you, other people's opinions, and you have to make personal sacrifices.
Romola Garai
I'm not interested in going to see films that massively overrepresent men over women. It's lik,e how much more have we got to say about this? Like men in war and dealing with their masculinity in conflict. I just think we've exhausted the landscape.
Romola Garai
You don't have to conform to a very specific aesthetic today, whereas 1950s women definitely had to.
Romola Garai
The worst thing you can do as a performer is to judge your character in any way, positively or negatively.
Romola Garai
I think it's very repressive for a woman to be constantly told that she has to make films about women to better represent women, but then the reverse is not found.
Romola Garai
I just don't believe you're capable of being an actor unless you have a desire to experience your emotions in a public way.
Romola Garai