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I also, since we have digital cameras, the blue screen composites are so good that I would rather shoot on a stage than there, especially the complicated sequences. The sun never sets in a studio stage.

Roland Emmerich

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Roland Emmerich
Age: 68
Born: 1955
Born: November 10
Film Director
Film Producer
Screenwriter
Writer
Especially
Screens
Stage
Shoot
Since
Digital
Composites
Rather
Studios
Sequences
Also
Cameras
Sequence
Good
Complicated
Sets
Never
Sun
Screen
Would
Blue
Studio

More quotes by Roland Emmerich

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When it comes to action, I'd say Mel Gibson and Will [Smith] were great.
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I've had the pleasure to work with a lot of very great actors. And they're too different to say who's the best.
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I've said that 2012 was my favorite ensemble cast, because it was so evenly good.
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That one [in 2012] was different because it was all CG, getting washed away by water. In Independence Day, everything was still done in models, built in a certain scale out of plaster, and packing tons and tons of little explosives and charges in there. We had a second one in case it didn't work the first time, but it worked the first time
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In the first earthquake scene [ in 2012], there was only a limo and a plane. That was it. There was nothing else there, so everything had to be created in the computer, and that's always very difficult.
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I think sport in general affects what people see in movies. I always try to explain to people in Hollywood that we have to make movies more like sport because, in sport, everything can happen and it's so much better than movies in some ways.
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When you find something where you can give people a message and still make it an exciting movie, you get very, very excited about something. You probably even work harder than you normally do.
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Actually, when I did 10,000 B.C., in the middle of production, I wanted to quit my job, because everything went wrong.
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There's a rule in Hollywood: stay away from water and stay away from snow, and I had both.
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I knew that Jaye Davidson would not last because of that. I really liked him and thought he had incredible screen presence and talent, but I knew that he would not stay in that profession.
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When we shot Stargate, he [ Jaye Davidson] came up to me at one point and said, I don't like shooting movies, and I said, Why? Too many people stare at me. I said, Then you're totally in the wrong business.
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In the end [of the 2012], there were no ships, no water, no nothing. Only the interiors [were real]. Everything else had to be made, and that is always challenging.
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There are shots that I had to walk away from because we had to get the movie in the theaters. There are some in Independence Day and Godzilla, but lately I got smart. I would plan it so I had enough time [to get it right]. That just comes with experience.
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It's still the White House exploding [in Independence Day]. It was just so provocative, and no one had ever done it before. I remember when we shot it, how everyone was excited.
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It's just one of those things. Everybody wants to do it, but it's really difficult. People had to wait for Indy 4 for a decade, and the reason is because of the people involved.
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There's not really much destruction in New York besides the weather and it's a natural force so it's not like any destruction. But LA gets leveled (laughs). That's my comment to Hollywood.
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Do not fear. Some things will never change.
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There are many more good stories about Jaye Davidson.
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I'm finished with destroying for a while. It's not like I'm running around saying, 'What else can I destroy?'
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It's like everybody is obsessed with Hollywood movies worldwide. And even though everybody hates the Americans, they're still watching American movies.
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