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I also, since we have digital cameras, the blue screen composites are so good that I would rather shoot on a stage than there, especially the complicated sequences. The sun never sets in a studio stage.

Roland Emmerich

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Roland Emmerich
Age: 68
Born: 1955
Born: November 10
Film Director
Film Producer
Screenwriter
Writer
Also
Cameras
Sequence
Good
Complicated
Sets
Never
Sun
Screen
Would
Blue
Studio
Especially
Screens
Stage
Shoot
Since
Digital
Composites
Rather
Studios
Sequences

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I think sport in general affects what people see in movies. I always try to explain to people in Hollywood that we have to make movies more like sport because, in sport, everything can happen and it's so much better than movies in some ways.
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In the end [of the 2012], there were no ships, no water, no nothing. Only the interiors [were real]. Everything else had to be made, and that is always challenging.
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Nobody makes movies bad on purpose.
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I knew that Jaye Davidson would not last because of that. I really liked him and thought he had incredible screen presence and talent, but I knew that he would not stay in that profession.
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I always try to convince people that there has to be a lot of material about the subject matter, so they created a couple of pieces. One is about doomsday prophecies.
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It's like everybody is obsessed with Hollywood movies worldwide. And even though everybody hates the Americans, they're still watching American movies.
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When we shot Stargate, he [ Jaye Davidson] came up to me at one point and said, I don't like shooting movies, and I said, Why? Too many people stare at me. I said, Then you're totally in the wrong business.
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It's just one of those things. Everybody wants to do it, but it's really difficult. People had to wait for Indy 4 for a decade, and the reason is because of the people involved.
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Do not fear. Some things will never change.
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I've said that 2012 was my favorite ensemble cast, because it was so evenly good.
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I think every good, entertaining movie should have a message. I really believe that, because if you do it without it, the film feels a little bit soulless.
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There's not really much destruction in New York besides the weather and it's a natural force so it's not like any destruction. But LA gets leveled (laughs). That's my comment to Hollywood.
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I've had the pleasure to work with a lot of very great actors. And they're too different to say who's the best.
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When it comes to action, I'd say Mel Gibson and Will [Smith] were great.
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I'm finished with destroying for a while. It's not like I'm running around saying, 'What else can I destroy?'
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There are many more good stories about Jaye Davidson.
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There's a rule in Hollywood: stay away from water and stay away from snow, and I had both.
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In the first earthquake scene [ in 2012], there was only a limo and a plane. That was it. There was nothing else there, so everything had to be created in the computer, and that's always very difficult.
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Actually, when I did 10,000 B.C., in the middle of production, I wanted to quit my job, because everything went wrong.
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I was, it was very high. Especially with international (box office), we did something that I didn't think this movie [2012] would do. I was very happy.
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