Quote

I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.

Roland Barthes

Change background

T
T
T

Change font

TAGS & TOPICS

Roland Barthes
Age: 64 †
Born: 1915
Born: November 12
Died: 1980
Died: March 25
Diarist
Essayist
Linguist
Literary Critic
Literary Scholar
Literary Theorist
Mythographer
Non-Fiction Writer
Philosopher
Screenwriter
Roland Gérard Barthes
Beyond
Unreality
Dead
Spectacle
Dies
Represented
Thing
Entered
Going
Passed
Image
Arms
Taking
Crazily

More quotes by Roland Barthes

Image
Historically and politically, the petit-bourgeois is the key to the century. The bourgeois and proletariat classes have become abstractions: the petite-bourgeoisie, in contrast, is everywhere, you can see it everywhere, even in the areas of the bourgeois and the proletariat, what's left of them.
Roland Barthes
Image
If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a weakness or an absurdity: it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
Roland Barthes
Image
Isn’t the most sensitive point of this mourning the fact that I must lose a language — the amorous language? No more ‘I love you’s.
Roland Barthes
Image
When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.
Roland Barthes
Image
I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
Roland Barthes
Image
Flaubert had infinite correction to perform.
Roland Barthes
Image
Is not the most erotic part of the body wherever the clothing affords a glimpse?
Roland Barthes
Image
When we define the Photograph as a motionless image, this does not mean only that the figures it represents do not move it means that they do not (i)emerge(i), do not (i)leave(i): they are anesthetized and fastened down, like butterflies.
Roland Barthes
Image
To eat steak rare . . . represents both a nature and a morality.
Roland Barthes
Image
L'amoureux qui n'oublie pas quelquefois meurt par exce' s, fatigue et tension de me moire (tel Werther). The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
Roland Barthes
Image
I want a History of Looking. For the Photograph is the advent of myself as other: a cunning dissociation of consciousness from identity. Even odder: it was before Photography that men had the most to say about the vision of the double. Heautoscopy was compared with an hallucinosis for centuries this was a great mythic theme.
Roland Barthes
Image
New York... is a city of geometric heights, a petrified desert of grids and lattices, an inferno of greenish abstraction under a flat sky, a real Metropolis from which man is absent by his very accumulation.
Roland Barthes
Image
We don't forget, but something vacant settles in us.
Roland Barthes
Image
The realists do not take the photograph for a 'copy' of reality, but for an emanation of past reality, a magic, not an art.
Roland Barthes
Image
The discourse on the Text should itself be nothing other than text, research, textual activity, since the Text is that social space which leaves no language safe, outside, nor any subject of the enunciation in position as judge, master, analyst, confessor, decoder. The theory of the Text can coincide only with a practice of writing.
Roland Barthes
Image
Ultimately, Photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.
Roland Barthes
Image
Eiffel saw his Tower in the form of a serious object, rational, useful men return it to him in the form of a great baroque dream which quite naturally touches on the borders of the irrational ... architecture is always dream and function, expression of a utopia and instrument of a convenience.
Roland Barthes
Image
Each photograph is read as the private appearance of its referent: the age of Photography corresponds precisely to the explosion of the private into the public, or rather into the creation of a new social value, which is the publicity of the private: the private is consumes as such, publicly.
Roland Barthes
Image
What I claim is to live to the full the contradiction of my time, which may well make sarcasm the condition of truth.
Roland Barthes
Image
Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
Roland Barthes