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Rarely do outside of school remedies work their way into the fabric of the schools or into the teachers lives, and more rarely into the classrooms. Therefore they only offer a modest hope of influencing the basic culture of the school
Roland Barthes
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Roland Barthes
Age: 64 †
Born: 1915
Born: November 12
Died: 1980
Died: March 25
Diarist
Essayist
Linguist
Literary Critic
Literary Scholar
Literary Theorist
Mythographer
Non-Fiction Writer
Philosopher
Screenwriter
Roland Gérard Barthes
Influence
Rarely
Teacher
Teachers
Classrooms
Hope
Schools
Influencing
Lives
Offer
Remedies
Culture
Basic
Classroom
School
Offers
Modest
Work
Therefore
Remedy
Way
Outside
Fabric
More quotes by Roland Barthes
The petit-bourgeois is a man unable to imagine the Other. If he comes face to face with him, he blinds himself, ignores and denies him, or else transforms him into himself.
Roland Barthes
One must turn the tongue seven times in the mouth before speaking.
Roland Barthes
Literature can no longer be either Mimesis or Mathesis but merely Semiosis, the adventure of what is impossible to language, in a word: Text (it is wrong to say that the notion of 'text' repeats the notion of 'literature': literature represents a finite world, the text figures the infinite of language).
Roland Barthes
Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things
Roland Barthes
For the theatre one needs long arms it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.
Roland Barthes
The politician being interviewed clearly takes a great deal of trouble to imagine an ending to his sentence: and if he stopped short? His entire policy would be jeopardized!
Roland Barthes
There is only one way left to escape the alienation of present day society: to retreat ahead of it.
Roland Barthes
The Text is not a definitive object.
Roland Barthes
Why is it better to last than to burn?
Roland Barthes
Usually the amateur is defined as an immature state of the artist: someone who cannot — or will not — achieve the mastery of a profession. But in the field of photographic practice, it is the amateur, on the contrary, who is the assumption of the professional: for it is he who stands closer to the (i)noeme(i) of Photography.
Roland Barthes
If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a weakness or an absurdity: it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
Roland Barthes
Flaubert had infinite correction to perform.
Roland Barthes
I cannot classify the other, for the other is, precisely, Unique, the singular Image which has miraculously come to correspond to the speciality of my desire. The other is the figure of my truth, and cannot be imprisoned in any stereotype (which is the truth of others).
Roland Barthes
To dope the racer is as criminal, as sacrilegious, as trying to imitate God it is stealing from God the privilege of the spark.
Roland Barthes
In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott's psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.
Roland Barthes
In an initial period, Photography, in order to surprise, photographs the notable but soon, by a familiar reversal, it decrees notable whatever it photographs. The 'anything whatever' then becomes the sophisticated acme of value.
Roland Barthes
It is no longer the sexual which is indecent, it is the sentimental.
Roland Barthes
Is not the most erotic part of the body wherever the clothing affords a glimpse?
Roland Barthes
A light without shadow generates an emotion without reserve.
Roland Barthes
I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
Roland Barthes