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The gesture of the amorous embrace seems to fulfill, for a time, the subject's dream of total union with the loved being: The longing for consummation with the other.

Roland Barthes

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Roland Barthes
Age: 64 †
Born: 1915
Born: November 12
Died: 1980
Died: March 25
Diarist
Essayist
Linguist
Literary Critic
Literary Scholar
Literary Theorist
Mythographer
Non-Fiction Writer
Philosopher
Screenwriter
Roland Gérard Barthes
Unions
Consummation
Embrace
Amorous
Subject
Gesture
Subjects
Fulfill
Loved
Gestures
Dream
Longing
Seems
Union
Time
Total

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What love lays bare in me is energy.
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I love you is unsubtle. It removes explanations, facilities, degrees, scruples.
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I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
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To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
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To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.
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For me the noise of Time is not sad: I love bells, clocks, watches — and I recall that at first photographic implements were related to techniques of cabinetmaking and the machinery of precision: cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
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Each photograph is read as the private appearance of its referent: the age of Photography corresponds precisely to the explosion of the private into the public, or rather into the creation of a new social value, which is the publicity of the private: the private is consumes as such, publicly.
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Every photograph is a certificate of presence.
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
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Tout ce qui est anachronique est obsce' ne. Everything anachronistic is obscene.
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...language is never innocent.
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The author enters into his own death, writing begins.
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For the theatre one needs long arms it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.
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The Text is not a definitive object.
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A light without shadow generates an emotion without reserve.
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I have not a desire but a need for solitude.
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In an initial period, Photography, in order to surprise, photographs the notable but soon, by a familiar reversal, it decrees notable whatever it photographs. The 'anything whatever' then becomes the sophisticated acme of value.
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When we define the Photograph as a motionless image, this does not mean only that the figures it represents do not move it means that they do not (i)emerge(i), do not (i)leave(i): they are anesthetized and fastened down, like butterflies.
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