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To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.

Roland Barthes

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Roland Barthes
Age: 64 †
Born: 1915
Born: November 12
Died: 1980
Died: March 25
Diarist
Essayist
Linguist
Literary Critic
Literary Scholar
Literary Theorist
Mythographer
Non-Fiction Writer
Philosopher
Screenwriter
Roland Gérard Barthes
Sing
Speak
Body
Origin
Need
Site
Needs
Operations
Kiss
Add
Kissing

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New York... is a city of geometric heights, a petrified desert of grids and lattices, an inferno of greenish abstraction under a flat sky, a real Metropolis from which man is absent by his very accumulation.
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All of a sudden it didn't bother me not being modern.
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It must always be considered as though spoken by a character in a novel
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Usually the amateur is defined as an immature state of the artist: someone who cannot — or will not — achieve the mastery of a profession. But in the field of photographic practice, it is the amateur, on the contrary, who is the assumption of the professional: for it is he who stands closer to the (i)noeme(i) of Photography.
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When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.
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Those who fail to reread are obliged to read the same story everywhere.
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I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
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For me the noise of Time is not sad: I love bells, clocks, watches — and I recall that at first photographic implements were related to techniques of cabinetmaking and the machinery of precision: cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
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Even hidden in the most squalid Parisian halls, wrestling partakes of the nature of the great solar spectacles, Greek drama and bullfights: in both, a light without shadow generates an emotion without reserve.
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What love lays bare in me is energy.
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The Text is not a definitive object.
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The discourse on the Text should itself be nothing other than text, research, textual activity, since the Text is that social space which leaves no language safe, outside, nor any subject of the enunciation in position as judge, master, analyst, confessor, decoder. The theory of the Text can coincide only with a practice of writing.
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As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
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I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
Roland Barthes
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If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
Roland Barthes
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To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.
Roland Barthes
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Le langage est une peau: je frotte mon langage contre l'autre. Language is a skin I rub my language against another language.
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Literature can no longer be either Mimesis or Mathesis but merely Semiosis, the adventure of what is impossible to language, in a word: Text (it is wrong to say that the notion of 'text' repeats the notion of 'literature': literature represents a finite world, the text figures the infinite of language).
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...language is never innocent.
Roland Barthes