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For the theatre one needs long arms it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.
Roland Barthes
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Roland Barthes
Age: 64 †
Born: 1915
Born: November 12
Died: 1980
Died: March 25
Diarist
Essayist
Linguist
Literary Critic
Literary Scholar
Literary Theorist
Mythographer
Non-Fiction Writer
Philosopher
Screenwriter
Roland GĂ©rard Barthes
Fine
Better
Needs
Long
Gesture
Make
Gestures
Never
Theatre
Short
Arms
More quotes by Roland Barthes
Every photograph is a certificate of presence.
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Those who fail to reread are obliged to read the same story everywhere.
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What I claim is to live to the full the contradiction of my time, which may well make sarcasm the condition of truth.
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Literature is the question minus the answer.
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All of a sudden it didn't bother me not being modern.
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The gesture of the amorous embrace seems to fulfill, for a time, the subject's dream of total union with the loved being: The longing for consummation with the other.
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I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.
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The politician being interviewed clearly takes a great deal of trouble to imagine an ending to his sentence: and if he stopped short? His entire policy would be jeopardized!
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The Text is not a definitive object.
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It is no longer the sexual which is indecent, it is the sentimental.
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Pleasure is continually disappointed, reduced, deflated, in favor of strong, noble values: Truth, Death, Progress, Struggle, Joy, etc. Its victorious rival is Desire: we are always being told about Desire, never about Pleasure.
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It must always be considered as though spoken by a character in a novel
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Painting can feign reality without having seen it.
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Is the scene always visual? It can be aural, the frame can be linguistic: I can fall in love with a sentence spoken to me: and not only because it says something which manages to touch my desire, but because of its syntactical turn (framing), which will inhabit me like a memory.
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I have not a desire but a need for solitude.
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A photograph is always invisible, it is not it that we see.
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To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.
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The author enters into his own death, writing begins.
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Historically and politically, the petit-bourgeois is the key to the century. The bourgeois and proletariat classes have become abstractions: the petite-bourgeoisie, in contrast, is everywhere, you can see it everywhere, even in the areas of the bourgeois and the proletariat, what's left of them.
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Great portrait photographers are great mythologists.
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