Quote

The realists do not take the photograph for a 'copy' of reality, but for an emanation of past reality, a magic, not an art.

Roland Barthes

Change background

T
T
T

Change font

TAGS & TOPICS

Roland Barthes
Age: 64 †
Born: 1915
Born: November 12
Died: 1980
Died: March 25
Diarist
Essayist
Linguist
Literary Critic
Literary Scholar
Literary Theorist
Mythographer
Non-Fiction Writer
Philosopher
Screenwriter
Roland Gérard Barthes
Magic
Art
Emanation
Reality
Realists
Past
Realist
Take
Copy
Copies
Photograph
Photography

More quotes by Roland Barthes

Image
All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
Roland Barthes
Image
In an initial period, Photography, in order to surprise, photographs the notable but soon, by a familiar reversal, it decrees notable whatever it photographs. The 'anything whatever' then becomes the sophisticated acme of value.
Roland Barthes
Image
Usually the amateur is defined as an immature state of the artist: someone who cannot — or will not — achieve the mastery of a profession. But in the field of photographic practice, it is the amateur, on the contrary, who is the assumption of the professional: for it is he who stands closer to the (i)noeme(i) of Photography.
Roland Barthes
Image
To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
Roland Barthes
Image
Great portrait photographers are great mythologists.
Roland Barthes
Image
The politician being interviewed clearly takes a great deal of trouble to imagine an ending to his sentence: and if he stopped short? His entire policy would be jeopardized!
Roland Barthes
Image
Where you are tender, you speak your plural.
Roland Barthes
Image
Today there is no symbolic compensation for old age, no recognition of a specific value: wisdom, perceptiveness, experience, vision.
Roland Barthes
Image
Each photograph is read as the private appearance of its referent: the age of Photography corresponds precisely to the explosion of the private into the public, or rather into the creation of a new social value, which is the publicity of the private: the private is consumes as such, publicly.
Roland Barthes
Image
Tout ce qui est anachronique est obsce' ne. Everything anachronistic is obscene.
Roland Barthes
Image
There are two kinds of liberalism. A liberalism which is always, subterraneously authoritative and paternalistic, on the side of one's good conscience. And then there is a liberalism which is more ethical than political one would have to find another name for this. Something like a profound suspension of judgment.
Roland Barthes
Image
Historically and politically, the petit-bourgeois is the key to the century. The bourgeois and proletariat classes have become abstractions: the petite-bourgeoisie, in contrast, is everywhere, you can see it everywhere, even in the areas of the bourgeois and the proletariat, what's left of them.
Roland Barthes
Image
I love you is unsubtle. It removes explanations, facilities, degrees, scruples.
Roland Barthes
Image
When we define the Photograph as a motionless image, this does not mean only that the figures it represents do not move it means that they do not (i)emerge(i), do not (i)leave(i): they are anesthetized and fastened down, like butterflies.
Roland Barthes
Image
Literature is without proofs. By which it must be understood that it cannot prove, not only what it says, but even that it is worth the trouble of saying it.
Roland Barthes
Image
A photograph is always invisible, it is not it that we see.
Roland Barthes
Image
I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.
Roland Barthes
Image
Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things
Roland Barthes
Image
Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
Roland Barthes
Image
Is the scene always visual? It can be aural, the frame can be linguistic: I can fall in love with a sentence spoken to me: and not only because it says something which manages to touch my desire, but because of its syntactical turn (framing), which will inhabit me like a memory.
Roland Barthes