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To dope the racer is as criminal, as sacrilegious, as trying to imitate God it is stealing from God the privilege of the spark.
Roland Barthes
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Roland Barthes
Age: 64 †
Born: 1915
Born: November 12
Died: 1980
Died: March 25
Diarist
Essayist
Linguist
Literary Critic
Literary Scholar
Literary Theorist
Mythographer
Non-Fiction Writer
Philosopher
Screenwriter
Roland GĂ©rard Barthes
Sports
Dope
Trying
Imitate
Spark
Sparks
Criminal
Stealing
Racer
Criminals
Sacrilegious
Privilege
Racers
More quotes by Roland Barthes
A light without shadow generates an emotion without reserve.
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I love you is unsubtle. It removes explanations, facilities, degrees, scruples.
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I cannot classify the other, for the other is, precisely, Unique, the singular Image which has miraculously come to correspond to the speciality of my desire. The other is the figure of my truth, and cannot be imprisoned in any stereotype (which is the truth of others).
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I have not a desire but a need for solitude.
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Other countries drink to get drunk, and this is accepted by everyone in France, drunkenness is a consequence, never an intention. A drink is felt as the spinning out of a pleasure, not as the necessary cause of an effect which is sought: wine is not only a philtre, it is also the leisurely act of drinking.
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This endured absence is nothing more or less than forgetfulness. I am, intermittently, unfaithful. This is the condition of my survival.
Roland Barthes
The petit-bourgeois is a man unable to imagine the Other. If he comes face to face with him, he blinds himself, ignores and denies him, or else transforms him into himself.
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Literature is the question minus the answer.
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I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.
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What love lays bare in me is energy.
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Tout ce qui est anachronique est obsce' ne. Everything anachronistic is obscene.
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All of a sudden it didn't bother me not being modern.
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Every photograph is a certificate of presence.
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The Text is not a definitive object.
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When we define the Photograph as a motionless image, this does not mean only that the figures it represents do not move it means that they do not (i)emerge(i), do not (i)leave(i): they are anesthetized and fastened down, like butterflies.
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In an initial period, Photography, in order to surprise, photographs the notable but soon, by a familiar reversal, it decrees notable whatever it photographs. The 'anything whatever' then becomes the sophisticated acme of value.
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Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
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To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
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We don't forget, but something vacant settles in us.
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The haiku reproduces the designating gesture of the child pointing at whatever it is (the haiku shows no partiality for the subject), merely saying: that!
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