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I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
Roland Barthes
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Roland Barthes
Age: 64 †
Born: 1915
Born: November 12
Died: 1980
Died: March 25
Diarist
Essayist
Linguist
Literary Critic
Literary Scholar
Literary Theorist
Mythographer
Non-Fiction Writer
Philosopher
Screenwriter
Roland Gérard Barthes
Blame
Call
Power
Engenders
Recipient
Hence
Discourse
Guilt
More quotes by Roland Barthes
The haiku reproduces the designating gesture of the child pointing at whatever it is (the haiku shows no partiality for the subject), merely saying: that!
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There are two kinds of liberalism. A liberalism which is always, subterraneously authoritative and paternalistic, on the side of one's good conscience. And then there is a liberalism which is more ethical than political one would have to find another name for this. Something like a profound suspension of judgment.
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Why is it better to last than to burn?
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Where you are tender, you speak your plural.
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A photograph is always invisible, it is not it that we see.
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To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.
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The author enters into his own death, writing begins.
Roland Barthes
One must turn the tongue seven times in the mouth before speaking.
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Those who fail to reread are obliged to read the same story everywhere.
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I cannot classify the other, for the other is, precisely, Unique, the singular Image which has miraculously come to correspond to the speciality of my desire. The other is the figure of my truth, and cannot be imprisoned in any stereotype (which is the truth of others).
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If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
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Painting can feign reality without having seen it.
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To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
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Each photograph is read as the private appearance of its referent: the age of Photography corresponds precisely to the explosion of the private into the public, or rather into the creation of a new social value, which is the publicity of the private: the private is consumes as such, publicly.
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The Text is not a definitive object.
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There is only one way left to escape the alienation of present day society: to retreat ahead of it.
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Literature can no longer be either Mimesis or Mathesis but merely Semiosis, the adventure of what is impossible to language, in a word: Text (it is wrong to say that the notion of 'text' repeats the notion of 'literature': literature represents a finite world, the text figures the infinite of language).
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To eat steak rare . . . represents both a nature and a morality.
Roland Barthes
When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.
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All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
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