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Steven Spielberg makes Minority Report with the newest digital technology other directors seem to be trying to make their movies from it.

Roger Ebert

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Roger Ebert
Age: 70 †
Born: 1942
Born: June 18
Died: 2013
Died: April 4
Film Critic
Journalist
Presenter
Reporter
Screenwriter
Writer
Urbana
Illinois
Roger Joseph Ebert
Trying
Reports
Make
Digital
Directors
Newest
Seem
Spielberg
Movies
Steven
Technology
Report
Makes
Minority
Seems
Minorities

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It's easier to identify with loss than love, because we have had so much more experience of it.
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I have always had my doubts about any form of divine intervention in sports contests. The power of prayer may be remarkable in many other arenas, but why should God want my team to win instead of the other side? Isn't it insulting to request God to even take an interest in baseball?
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I began to realize that I had tended to avoid some people because of my instant conclusions about who they were and what they would have to say. I discovered that everyone, speaking honestly and openly, had important things to tell me.
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The Academy is paranoid about its image.
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Well, you know what, I'm 60 years old, and I've been interested in politics since I was on my daddy's knee. During the 1948 election, we were praying for Truman. I know a lot about politics.
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It is universally agreed that Jean Renoir was one of the greatest of all directors, and he was also one of the warmest and most entertaining.
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Blockbusters run the mainstream industry. We may never again have a decade like the 1970s, when directors were able to find such freedom.
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The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it's just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.
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Many thrillers follow such reliable formulas that you can look at what's happening and guess how much longer a film has to run.
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In Hollywood, 'under development' means 'all I have is the title.'
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You can have a movie with hardly any cuts, or very few cuts, that is fascinating, you can't take your eyes away from it... Look at some of the long takes in Citizen Kane.
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And I think both the left and the right should celebrate people who have different opinions, and disagree with them, and argue with them, and differ with them, but don't just try to shut them up.
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When I had been a film critic for ten minutes, I treated Doris Day as a target for cheap shots. I have learned enough to say today that the woman was remarkably gifted.
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The buried code of many American films has become: If I kill you, I have won and you have lost. The instinctive ethical code of traditional Hollywood, the code by which characters like James Stewart, John Wayne and Henry Fonda lived, has been lost.
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While I am usually in despair when a movie abandons its plot for a third act given over entirely to action, I have no problem with the way Harry Potter and the Chamber of Secrets ends, because it has been pointing toward this ending, hinting about it, preparing us for it, all the way through. What a glorious movie.
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Jane Austen wrote six of the most beloved novels in the English language, we are informed at the end of Becoming Jane, and so she did. The key word is beloved. Her admirers do not analyze her books so much as they just plain love them to pieces.
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The screenplay is so well-written in a scruffy, fanzine way that you want to rub noses in it - the noses of those zombie writers who take 'screenwriting' classes that teach them the formulas for 'hit films.'
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We think of first love as sweet and valuable, a blessed if hazardous condition.
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That's what fantasies are for, to help us imagine that things are better than they are.
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From a dramatic viewpoint, there are few professions that grant their members entry into other lives, high among them cops, doctors, clergymen, journalists and prostitutes. Perhaps that explains why they figure in so much television and cinema. Their lives are lived in the midst of human drama.
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