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It's like the high school production of something you saw at Steppenwolf, with the most gifted students in drama class playing the John Malkovich and Joan Allen roles.

Roger Ebert

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Roger Ebert
Age: 70 †
Born: 1942
Born: June 18
Died: 2013
Died: April 4
Film Critic
Journalist
Presenter
Reporter
Screenwriter
Writer
Urbana
Illinois
Roger Joseph Ebert
Class
Production
High
Productions
School
John
Something
Drama
Like
Saws
Students
Joan
Roles
Allen
Playing
Gifted

More quotes by Roger Ebert

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Many really good films allow us to empathize with other lives.
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And the sexes eyeing each other uneasily, for nothing is easier for a teenager to imagine than rejection.
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There's something depressing about a young couple helplessly in love. Their state is so perfect, it must be doomed. They project such qualities on their lover that only disappointment can follow.
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Catholic theology accounts for the fact that there's evil in the world. People say, well, how could God let this happen. Well, what God did was set the mechanism in motion and then allow people to do the best they can under the circumstances that they're dealt in order to gain grace and get into heaven.
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To make others less happy is a crime. To make ourselves unhappy is where all crime starts.
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Samurai films, like westerns, need not be familiar genre stories. They can expand to contain stories of ethical challenges and human tragedy.
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It is hard enough to be good at all, but to be good in comedy speaks for your character.
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Crowds can be frightening. They have a way of impressing the low, base taste upon their members. Watching the way thousands of people in his audience could not think for themselves, could not find the courage to allow their ordinary feelings of decency and taste to prevail, I understood better how demagogues are possible.
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Cinema, for me, has always been something like music composed with photographic images.
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The buried code of many American films has become: If I kill you, I have won and you have lost. The instinctive ethical code of traditional Hollywood, the code by which characters like James Stewart, John Wayne and Henry Fonda lived, has been lost.
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From a dramatic viewpoint, there are few professions that grant their members entry into other lives, high among them cops, doctors, clergymen, journalists and prostitutes. Perhaps that explains why they figure in so much television and cinema. Their lives are lived in the midst of human drama.
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If you have to ask what it symbolizes, it didn't.
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'Marley' does what is probably the best possible job of documenting an important life.
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An honest bookstore would post the following sign above its 'self-help' section: 'For true self-help, please visit our philosophy, literature, history and science sections, find yourself a good book, read it, and think about it.
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Rollerball is an incoherent mess, a jumble of footage in search of plot, meaning, rhythm and sense. There are bright colors and quick movement on the screen, which we can watch as a visual pattern that, in entertainment value, falls somewhere between a kaleidoscope and a lava lamp.
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It's not often a thriller keeps me wound up as well as 'Headhunters' did. I knew I was being manipulated and didn't care. It was a pleasure to see how well it was being done.
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A movie is not about what it is about. It is about how it is about it.
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It's strange: We leave the movie having enjoyed its conclusion so much that we almost forgot our earlier reservations. But they were there, and they were real.
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A remarkable documentary that's also one of the most beautiful nature films I've seen.
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One of the weapons Marvel used in its climb to comic-book dominance was a willingness to invent new characters at a dizzying speed. There are so many Marvel universes, indeed, that some superheroes do not even exist in one another's worlds, preventing gridlock.
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