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You can have a movie with hardly any cuts, or very few cuts, that is fascinating, you can't take your eyes away from it... Look at some of the long takes in Citizen Kane.

Roger Ebert

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Roger Ebert
Age: 70 †
Born: 1942
Born: June 18
Died: 2013
Died: April 4
Film Critic
Journalist
Presenter
Reporter
Screenwriter
Writer
Urbana
Illinois
Roger Joseph Ebert
Long
Takes
Movie
Kane
Eyes
Cuts
Eye
Citizen
Away
Hardly
Look
Fascinating
Looks
Citizens
Take
Cutting

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When I write, I fall into the zone many writers, painters, musicians, athletes, and craftsmen of all sorts seem to share: In doing something I enjoy and am expert at, deliberate thought falls aside and it is all just THERE. I think of the next word no more than the composer thinks of the next note.
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It's easier to identify with loss than love, because we have had so much more experience of it.
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The buried code of many American films has become: If I kill you, I have won and you have lost. The instinctive ethical code of traditional Hollywood, the code by which characters like James Stewart, John Wayne and Henry Fonda lived, has been lost.
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We laugh, that we may not cry.
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Reese Witherspoon is as cute as a button on Raggedy Ann's overalls, but irresistible raw sex appeal is not one of her qualities.
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Are vampires kinky? I didn't know.
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Every great film should seem new every time you see it.
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I was born inside the movie of my life. The visuals were before me, the audio surrounded me, the plot unfolded inevitably but not necessarily. I don't remember how I got into the movie, but it continues to entertain me.
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The Lucky One is at its heart a romance novel, elevated however by Nicholas Sparks' persuasive storytelling. Readers don't read his books because they're true, but because they ought to be true.
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There must be a better reason to have a baby than to provide a plot point in a rom-com. Don't you think?
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And the sexes eyeing each other uneasily, for nothing is easier for a teenager to imagine than rejection.
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Ridley Scott's 'Prometheus' is a magnificent science-fiction film, all the more intriguing because it raises questions about the origin of human life and doesn't have the answers.
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We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try.
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Steve Coogan picks up enough to lecture an interviewer: This is a postmodern novel before there was any modernism to be post about. Later it's claimed that Tristram Shandy was No. 8 on the Observer's list of the greatest novels, which cheers everyone until they discover the list was chronological.
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