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If a movie isn't a hit right out of the gate, they drop it. Which means that the whole mainstream Hollywood product has been skewed toward violence and vulgar teen comedy.

Roger Ebert

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Roger Ebert
Age: 70 †
Born: 1942
Born: June 18
Died: 2013
Died: April 4
Film Critic
Journalist
Presenter
Reporter
Screenwriter
Writer
Urbana
Illinois
Roger Joseph Ebert
Means
Teenager
Whole
Product
Skewed
Right
Hollywood
Teen
Mean
Products
Gate
Toward
Vulgar
Comedy
Gates
Violence
Mainstream
Movie
Drop

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If you have to ask what it symbolizes, it didn't.
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If a movie is really working, you forget for two hours your Social Security number and where your car is parked. You are having a vicarious experience. You are identifying, in one way or another, with the people on the screen.
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It amazes me that filmmakers will still film, and audiences will still watch, relationships so bankrupt of human feeling that the characters could be reading dialogue written by a computer.
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No movie has ever been able to provide a catharsis for the Holocaust, and I suspect none will ever be able to provide one for 9/11. Such subjects overwhelm art.
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From a dramatic viewpoint, there are few professions that grant their members entry into other lives, high among them cops, doctors, clergymen, journalists and prostitutes. Perhaps that explains why they figure in so much television and cinema. Their lives are lived in the midst of human drama.
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Matthew McConaughey and Kate Hudson star. I neglected to mention that, maybe because I was trying to place them in this review's version of the Witness Protection Program. If I were taken off the movie beat and assigned to cover the interior design of bowling alleys, I would have some idea of how they must have felt as they made this film.
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I think we have to get beyond the idea that we have to categorize people.
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Families and their problems go on and on, and they aren't solved, they're dealt with.
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We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try.
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James Cameron's films have always been distinguished by ground-breaking technical excellence.
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Praise without merit is more harmful than unearned criticism.
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To die is one thing. How much worse to know that all the life that ever existed on this planet, and all it ever achieved, was to be obliterated?
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I have no fear of death. We all die. I consider my remaining days to be like money in the bank. When it is all gone, I will be repossessed.
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The screenplay is so well-written in a scruffy, fanzine way that you want to rub noses in it - the noses of those zombie writers who take 'screenwriting' classes that teach them the formulas for 'hit films.'
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How quickly do we grow accustomed to wonders. I am reminded of the Isaac Asimov story Nightfall, about the planet where the stars were visible only once in a thousand years. So awesome was the sight that it drove men mad. We who can see the stars every night glance up casually at the cosmos and then quickly down again, searching for a Dairy Queen.
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I just assume I'm right. Partially out of conviction and partially as a pose.
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What every human being should do is eat a vegetarian diet based on whole foods. Period.
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An honest bookstore would post the following sign above its 'self-help' section: 'For true self-help, please visit our philosophy, literature, history and science sections, find yourself a good book, read it, and think about it.
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