Quote

There's something depressing about a young couple helplessly in love. Their state is so perfect, it must be doomed. They project such qualities on their lover that only disappointment can follow.

Roger Ebert

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Roger Ebert
Age: 70 †
Born: 1942
Born: June 18
Died: 2013
Died: April 4
Film Critic
Journalist
Presenter
Reporter
Screenwriter
Writer
Urbana
Illinois
Roger Joseph Ebert
Quality
Lover
State
Qualities
Perfect
Disappointment
Young
Project
States
Lovers
Must
Projects
Helplessly
Something
Follow
Depressing
Love
Couple
Doomed

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If you can act as if something is true, in a sense that makes it true.
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It's strange: We leave the movie having enjoyed its conclusion so much that we almost forgot our earlier reservations. But they were there, and they were real.
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And yet, even so, there is a way to find happiness. That is to be curious about all of the interlocking events that add up to our lives. To notice connections. To be amused or perhaps frightened by the ways things work out. If the universe is indifferent, what a consolation that we are not.
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And the sexes eyeing each other uneasily, for nothing is easier for a teenager to imagine than rejection.
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I'll tell you, I think that the Internet has provided an enormous boost to film criticism by giving people an opportunity to self publish or to find sites that are friendly.
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It amazes me that filmmakers will still film, and audiences will still watch, relationships so bankrupt of human feeling that the characters could be reading dialogue written by a computer.
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The fact is, most people are not going to be rich someday. And we've had a concerted policy of taking money away from the poor and giving it to the rich wholesale, and at the same time, we have the runaway corporations, and the greed.
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[D]oes the real world have any more substance than visions and hallucinations when we're having them? At any given moment, what's happening in our minds is all and everything that happens.
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But the fact is, most people are not going to be rich someday.
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It's like the high school production of something you saw at Steppenwolf, with the most gifted students in drama class playing the John Malkovich and Joan Allen roles.
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There are two things you can't argue in film: comedy and eroticism. If something doesn't make you laugh, no one can tell you why it's funny, and it's difficult to reason someone out of an erection.
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Movies are like a machine that generates empathy.
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I am not a believer, not an atheist, not an agnostic. I am still awake at night, asking how? I am more content with the question than I would be with an answer.
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Steven Spielberg makes Minority Report with the newest digital technology other directors seem to be trying to make their movies from it.
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There are often lists of the great living male movie stars. How often do you see the name of Nicolas Cage? He should always be up there. He's daring and fearless in his choice of roles, and unafraid to crawl out on a limb, saw it off and remain suspended in air.
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The buried code of many American films has become: If I kill you, I have won and you have lost. The instinctive ethical code of traditional Hollywood, the code by which characters like James Stewart, John Wayne and Henry Fonda lived, has been lost.
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It is human nature to look away from illness. We don't enjoy a reminder of our own fragile mortality. That's why writing on the Internet has become a lifesaver for me. My ability to think and write have not been affected. And on the Web, my real voice finds expression.
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The moment a man stops dreaming is the moment he petrifies inside.
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When I had been a film critic for ten minutes, I treated Doris Day as a target for cheap shots. I have learned enough to say today that the woman was remarkably gifted.
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Last year, I reviewed a nine-hour documentary about the lives of Mongolian yak herdsmen, and I would rather see it again than sit through The Frighteners.
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