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There's something depressing about a young couple helplessly in love. Their state is so perfect, it must be doomed. They project such qualities on their lover that only disappointment can follow.

Roger Ebert

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Roger Ebert
Age: 70 †
Born: 1942
Born: June 18
Died: 2013
Died: April 4
Film Critic
Journalist
Presenter
Reporter
Screenwriter
Writer
Urbana
Illinois
Roger Joseph Ebert
Must
Projects
Helplessly
Something
Follow
Depressing
Love
Couple
Doomed
Quality
Lover
State
Qualities
Perfect
Disappointment
Young
Project
States
Lovers

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I'll tell you, I think that the Internet has provided an enormous boost to film criticism by giving people an opportunity to self publish or to find sites that are friendly.
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The moment a man stops dreaming is the moment he petrifies inside.
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From a dramatic viewpoint, there are few professions that grant their members entry into other lives, high among them cops, doctors, clergymen, journalists and prostitutes. Perhaps that explains why they figure in so much television and cinema. Their lives are lived in the midst of human drama.
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Kindness’ covers all of my political beliefs.
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Well, you know what, I'm 60 years old, and I've been interested in politics since I was on my daddy's knee. During the 1948 election, we were praying for Truman. I know a lot about politics.
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What's sad about not eating is the experience, whether at a family reunion or at midnight by yourself in a greasy spoon under the L tracks. The loss of dining, not the loss of food.
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A movie is not about what it is about. It is about how it is about it.
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If a movie is really working, you forget for two hours your Social Security number and where your car is parked. You are having a vicarious experience. You are identifying, in one way or another, with the people on the screen.
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The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it's just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.
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Never marry anyone you could not sit next to during a three-day bus trip.
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Only enormously talented people could have made Death to Smoochy . Those with lesser gifts would have lacked the nerve to make a film so bad, so miscalculated, so lacking any connection with any possible audience.
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I begin to feel like I was in the last generation of Americans who took a civics class. I begin to feel like most Americans don't understand the First Amendment, don't understand the idea of freedom of speech, and don't understand that it's the responsibility of the citizen to speak out.
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Occasionally an unsuspecting innocent will stumble into a movie like this and send me an anguished postcard, asking how I could possibly give a favorable review to such trash. My stock response is Ebert's Law, which reads: A movie is not about what it is about. It is about how it is about it.
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I began to realize that I had tended to avoid some people because of my instant conclusions about who they were and what they would have to say. I discovered that everyone, speaking honestly and openly, had important things to tell me.
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We don't have a lot of class-conscious filmmaking.
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If there's one thing I've learned in this life, it's that you never say no to an old gypsy woman with a blind eye and leprous fingernails.
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And yet, even so, there is a way to find happiness. That is to be curious about all of the interlocking events that add up to our lives. To notice connections. To be amused or perhaps frightened by the ways things work out. If the universe is indifferent, what a consolation that we are not.
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A lot of people just go to movies that feed into their preexisting and not so noble needs and desires: They just go to action pictures, and things like that.
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Blockbusters run the mainstream industry. We may never again have a decade like the 1970s, when directors were able to find such freedom.
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There are few lonelier sights than a good comedian being funny in a movie that doesn't know what funny is.
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