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Blockbusters run the mainstream industry. We may never again have a decade like the 1970s, when directors were able to find such freedom.

Roger Ebert

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Roger Ebert
Age: 70 †
Born: 1942
Born: June 18
Died: 2013
Died: April 4
Film Critic
Journalist
Presenter
Reporter
Screenwriter
Writer
Urbana
Illinois
Roger Joseph Ebert
Freedom
Running
Blockbusters
May
Blockbuster
Able
Decade
Find
Mainstream
Never
Decades
Like
Directors
Industry

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Praise without merit is more harmful than unearned criticism.
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An honest bookstore would post the following sign above its 'self-help' section: 'For true self-help, please visit our philosophy, literature, history and science sections, find yourself a good book, read it, and think about it.
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Because I don't give the studios advanced quotes or an advanced look at my reviews. I think the readers deserve to read my reviews before the studios do.
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It's the worst kind of bad film: the kind that gets you all worked up and then lets you down, instead of just being lousy from the first shot.
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Because we are human, because we are bound by gravity and the limitations of our bodies, because we live in a world where the news is often bad and the prospects disturbing, there is a need for another world somewhere, a world where Fred Astaire and Ginger Rogers live.
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Every great film should seem new every time you see it.
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Nothing ever seems straightforward in Venice, least of all its romances.
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No movie has ever been able to provide a catharsis for the Holocaust, and I suspect none will ever be able to provide one for 9/11. Such subjects overwhelm art.
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I do suspect my star ratings average too high. But, of course, star ratings are ridiculous. I'm stuck with them.
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Movies are like a machine that generates empathy.
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Mad Dog Time is the first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time. Oh, I've seen bad movies before. But they usually made me care about how bad they were. Watching Mad Dog Time is like waiting for the bus in a city where you're not sure they have a bus line.
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The Academy is paranoid about its image.
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A corner is important. It provides privacy and an anchor and lets you exist independently of the room.
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A lot of people just go to movies that feed into their preexisting and not so noble needs and desires: They just go to action pictures, and things like that.
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I have always had my doubts about any form of divine intervention in sports contests. The power of prayer may be remarkable in many other arenas, but why should God want my team to win instead of the other side? Isn't it insulting to request God to even take an interest in baseball?
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Friends don't let Jackasses drink and drive.
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I was born inside the movie of my life. The visuals were before me, the audio surrounded me, the plot unfolded inevitably but not necessarily. I don't remember how I got into the movie, but it continues to entertain me.
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Many thrillers follow such reliable formulas that you can look at what's happening and guess how much longer a film has to run.
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We can't help identifying with the protagonist. It's coded in our movie-going DNA.
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It's like the high school production of something you saw at Steppenwolf, with the most gifted students in drama class playing the John Malkovich and Joan Allen roles.
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