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Blockbusters run the mainstream industry. We may never again have a decade like the 1970s, when directors were able to find such freedom.

Roger Ebert

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Roger Ebert
Age: 70 †
Born: 1942
Born: June 18
Died: 2013
Died: April 4
Film Critic
Journalist
Presenter
Reporter
Screenwriter
Writer
Urbana
Illinois
Roger Joseph Ebert
Running
Blockbusters
May
Blockbuster
Able
Decade
Find
Mainstream
Never
Decades
Like
Directors
Industry
Freedom

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We think of first love as sweet and valuable, a blessed if hazardous condition.
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I wear a pedometer, a little device that counts every step. It works as a goad, because you walk additional distances to pile up the numbers. The average person walks 2,000 to 3,000 steps a day. I walk 10,000 steps a day. I have lost a lot of weight as a result.
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While I am usually in despair when a movie abandons its plot for a third act given over entirely to action, I have no problem with the way Harry Potter and the Chamber of Secrets ends, because it has been pointing toward this ending, hinting about it, preparing us for it, all the way through. What a glorious movie.
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The Bucket List is a movie about two old codgers who are nothing like people, both suffering from cancer that is nothing like cancer, and setting off on adventures that are nothing like possible. I urgently advise hospitals: Do not make the DVD available to your patients there may be an outbreak of bedpans thrown at TV screens.
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A remarkable documentary that's also one of the most beautiful nature films I've seen.
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What every human being should do is eat a vegetarian diet based on whole foods. Period.
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Kindness’ covers all of my political beliefs.
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I'll tell you, I think that the Internet has provided an enormous boost to film criticism by giving people an opportunity to self publish or to find sites that are friendly.
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When I had been a film critic for ten minutes, I treated Doris Day as a target for cheap shots. I have learned enough to say today that the woman was remarkably gifted.
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It is not enough for a movie to be righteous. It must also be watchable.
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Occasionally an unsuspecting innocent will stumble into a movie like this and send me an anguished postcard, asking how I could possibly give a favorable review to such trash. My stock response is Ebert's Law, which reads: A movie is not about what it is about. It is about how it is about it.
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I think we have to get beyond the idea that we have to categorize people.
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'Marley' does what is probably the best possible job of documenting an important life.
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They're not trying to prevent Hollywood from making movies. They're asking that the most powerful image-building machinery in the world stop grinding out killer dykes and twisted homo sex fiends as if sexual orientation had anything to do with criminal behavior.
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Sometimes you only need to have a few words with a person to know you would like to have many more.
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To call A Lot like Love dead in the water is an insult to water.
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Rollerball is an incoherent mess, a jumble of footage in search of plot, meaning, rhythm and sense. There are bright colors and quick movement on the screen, which we can watch as a visual pattern that, in entertainment value, falls somewhere between a kaleidoscope and a lava lamp.
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Never marry anyone you could not sit next to during a three-day bus trip.
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The layout was griping, the glide is awesome. Two ten-inch fins up, way up.
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Reese Witherspoon is as cute as a button on Raggedy Ann's overalls, but irresistible raw sex appeal is not one of her qualities.
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