Quote

The Lucky One is at its heart a romance novel, elevated however by Nicholas Sparks' persuasive storytelling. Readers don't read his books because they're true, but because they ought to be true.

Roger Ebert

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Roger Ebert
Age: 70 †
Born: 1942
Born: June 18
Died: 2013
Died: April 4
Film Critic
Journalist
Presenter
Reporter
Screenwriter
Writer
Urbana
Illinois
Roger Joseph Ebert
Heart
Reader
Lucky
Nicholas
Novel
Elevated
Ought
Persuasive
Books
Sparks
Read
Readers
True
Romance
Book
However

More quotes by Roger Ebert

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Horror fans are a particular breed. They analyze films with such detail and expertise that I am reminded of the Canadian literary critic Northrup Frye, who approached literature with similar archetypal analysis.
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Teaching prejudice to a child is itself a form of bullying. You've got to be taught to hate.
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Ridley Scott's 'Prometheus' is a magnificent science-fiction film, all the more intriguing because it raises questions about the origin of human life and doesn't have the answers.
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'Marley' does what is probably the best possible job of documenting an important life.
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Occasionally an unsuspecting innocent will stumble into a movie like this and send me an anguished postcard, asking how I could possibly give a favorable review to such trash. My stock response is Ebert's Law, which reads: A movie is not about what it is about. It is about how it is about it.
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Parents and schools should place great emphasis on the idea that it is all right to be different. Racism and all the other 'isms' grow from primitive tribalism, the instinctive hostility against those of another tribe, race, religion, nationality, class or whatever. You are a lucky child if your parents taught you to accept diversity.
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I'll tell you, I think that the Internet has provided an enormous boost to film criticism by giving people an opportunity to self publish or to find sites that are friendly.
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One of the gifts one movie lover can give another is the title of a wonderful film they have not yet discovered
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They're not trying to prevent Hollywood from making movies. They're asking that the most powerful image-building machinery in the world stop grinding out killer dykes and twisted homo sex fiends as if sexual orientation had anything to do with criminal behavior.
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To make others less happy is a crime. To make ourselves unhappy is where all crime starts.
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Steve Coogan picks up enough to lecture an interviewer: This is a postmodern novel before there was any modernism to be post about. Later it's claimed that Tristram Shandy was No. 8 on the Observer's list of the greatest novels, which cheers everyone until they discover the list was chronological.
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And the sexes eyeing each other uneasily, for nothing is easier for a teenager to imagine than rejection.
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I am, beneath everything else, a fan. I was fixed in this mode as a young boy and am awed by people who take the risks of performance.
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[D]oes the real world have any more substance than visions and hallucinations when we're having them? At any given moment, what's happening in our minds is all and everything that happens.
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There's nothing like impending death to rouse you from existential boredom.
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The buried code of many American films has become: If I kill you, I have won and you have lost. The instinctive ethical code of traditional Hollywood, the code by which characters like James Stewart, John Wayne and Henry Fonda lived, has been lost.
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It's the worst kind of bad film: the kind that gets you all worked up and then lets you down, instead of just being lousy from the first shot.
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Kindness’ covers all of my political beliefs.
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Steven Spielberg makes Minority Report with the newest digital technology other directors seem to be trying to make their movies from it.
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A remarkable documentary that's also one of the most beautiful nature films I've seen.
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