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But the fact is, most people are not going to be rich someday.

Roger Ebert

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Roger Ebert
Age: 70 †
Born: 1942
Born: June 18
Died: 2013
Died: April 4
Film Critic
Journalist
Presenter
Reporter
Screenwriter
Writer
Urbana
Illinois
Roger Joseph Ebert
Fact
Facts
Going
People
Someday
Rich

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It is universally agreed that Jean Renoir was one of the greatest of all directors, and he was also one of the warmest and most entertaining.
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There's nothing like impending death to rouse you from existential boredom.
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I have no fear of death. We all die. I consider my remaining days to be like money in the bank. When it is all gone, I will be repossessed.
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It is not enough for a movie to be righteous. It must also be watchable.
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Every great film should seem new every time you see it.
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There are few lonelier sights than a good comedian being funny in a movie that doesn't know what funny is.
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If there's one thing I've learned in this life, it's that you never say no to an old gypsy woman with a blind eye and leprous fingernails.
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You slide down in your seat and make yourself comfortable. On the screen in front of you, the movie image appears—enormous and overwhelming. If the movie is a good one, you allow yourself to be absorbed in its fantasy, and its dreams become part of your memories
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The Bucket List is a movie about two old codgers who are nothing like people, both suffering from cancer that is nothing like cancer, and setting off on adventures that are nothing like possible. I urgently advise hospitals: Do not make the DVD available to your patients there may be an outbreak of bedpans thrown at TV screens.
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If you can act as if something is true, in a sense that makes it true.
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I've never found kicks to the groin particularly funny, although recent work in the genre of the buddy movie suggests audience research must prove me wrong.
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[D]oes the real world have any more substance than visions and hallucinations when we're having them? At any given moment, what's happening in our minds is all and everything that happens.
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The buried code of many American films has become: If I kill you, I have won and you have lost. The instinctive ethical code of traditional Hollywood, the code by which characters like James Stewart, John Wayne and Henry Fonda lived, has been lost.
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From a dramatic viewpoint, there are few professions that grant their members entry into other lives, high among them cops, doctors, clergymen, journalists and prostitutes. Perhaps that explains why they figure in so much television and cinema. Their lives are lived in the midst of human drama.
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That's what fantasies are for, to help us imagine that things are better than they are.
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Families and their problems go on and on, and they aren't solved, they're dealt with.
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It's the worst kind of bad film: the kind that gets you all worked up and then lets you down, instead of just being lousy from the first shot.
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'Marley' does what is probably the best possible job of documenting an important life.
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Sometimes, it's all about the casting.
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There's something depressing about a young couple helplessly in love. Their state is so perfect, it must be doomed. They project such qualities on their lover that only disappointment can follow.
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