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I always used to develop a cold going into the studio.

Roger Daltrey

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Roger Daltrey
Age: 80
Born: 1944
Born: March 1
Actor
Film Actor
Film Producer
Guitarist
Singer
Singer-Songwriter
Hammersmith
London
Roger Harry Daltrey
Going
Always
Studio
Studios
Develop
Cold
Used

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I know my faults, but I'm comfortable with me.
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I don't know many singers who actually do like the sound of their own voice.
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You know, I was a school rebel. Whatever they said do, I didn't do. I was totally anti-everything.
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Unless you've been touched personally, it's difficult to see, but there are millions of people who have no voice whatsoever.
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I had me jaw broken, and so my chin stuck way out. That's how I became tough - I learned to pick up anything and fight back.
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We tend to think of age only in time, but I don't think it has much to do with time at all there's a whole load of other things. I've met 16-year-olds who are old and 90-year-olds who are young.
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European fisheries are a disaster. The American fisheries are well-kept.
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I don't have any illusions anymore. The illusion that rock 'n' roll could change anything - I don't believe that. I've changed.
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Fifty per cent of rock is having a good time.
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I feel there must be an enormous amount of really talented songwriters out there who can't sing.
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I know without our fans and the devotion of our fans we wouldn't be here. I don't mean to put them down, but I'm just stating a fact that it is hard to play to people that see you all the time and it takes a lot of fun out of it in some ways.
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I used to take amphetamines until I realized that amphetamines didn't go with being a good singer.
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My place, your place, slapped face, rat race.
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I love Adele. That's a lead singer that's the real deal.
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We weren't wealthy but we definitely weren't poor. We were incredibly rich because there was a wonderful community in Shepherd's Bush, where I grew up. All my friends were into villainy and crime.
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Rock n' roll seems to have changed society much more than any politician, I think it really has.
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I was making guitars and I was a sheet metal worker and if you ever see sheet metal workers' hands, you've never seen so many cuts in your life.
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I can't hit some of the real high notes I used to hit, but it makes you have to explore different avenues.
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All you could do was to see them. We were backstage when the Beatles were on and you could just about hear a noise. It was just literally screaming.
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We were too rough at the edges to be a pop group.
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