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I do believe motion pictures are the significant art form of our time. And I think the main reason is, they're an art form of movement, as opposed to static art forms of previous times.

Roger Corman

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Roger Corman
Age: 98
Born: 1926
Born: April 5
Actor
Executive Producer
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Detroit
Michigan
Roger William Corman
Significant
Time
Forms
Think
Movement
Static
Thinking
Previous
Times
Motion
Art
Opposed
Form
Pictures
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Believe

More quotes by Roger Corman

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I love the process of making films and an incidental satisfaction is the fact that most of them made money.
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There are eleven or twelve or thirteen cities in China with populations of over 10 million people and most people in the West have never even heard of these cities.
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There's always something that draws you away from the original script.
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I'm not going to shoot seven days a week. I think it's counterproductive. I think you're going to have people stumbling around after a couple of weeks.
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In science-fiction films the monster should always be bigger than the leading lady.
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Other writers, producers, and directors of low-budget films would often put down the film they were making, saying it was just something to make money with. I never felt that. If I took the assignment, I'd give it my best shot.
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Motion pictures are the art form of the 20th century, and one of the reasons is the fact that films are a slightly corrupted artform. They fit this century - they combine Art and business!
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Horror films have been with us forever, so you can't say I originated that in any way, but it sort of brought back a classical way to make a horror film.
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Jim Cameron is proof that if you are good, you'll get promoted.
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Maybe it's just a matter of getting older and being aware that the market for medium-budget and low-budget films, which is of course what I spent most of my life making, has diminished. And maybe the quantity of ideas has diminished a little bit.
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I think the art film, or the auteur-driven film - and not only foreign, but domestic films following that path - can get a small share of the box office. And I think that small share may open up a little bit.
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There were two practical reasons we moved to Venice. One was that there was an artists movement and a countercultural movement. Lots of people we might want to hire lived in the area. We also wanted to buy in a lower rent area that looked like it was going to be gentrified so that we could eventually sell the studio for more money.
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You can make a movie about anything, as long as it has a hook to hang the advertising on.
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I was young, so I was part of youth culture. The years went by, I became older and no longer part of youth culture, and I became more dependent upon the young people in the office and my own children.
Roger Corman
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A great director, first, is highly intelligent. And he is also a dedicated and willing to work hard. Now those are easy things to identify. The third is the creativity, and that is very difficult to identify in advance. This is why so many of the directors who have started with me were my assistant - the first one was Francis Ford Coppola.
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The safest genre is the horror film. But the most unsafe - the most dangerous - is comedy. Because even if your horror film isn't very good, you'll get a few screams and you're okay. With a comedy, if they don't laugh, you're dead.
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I think one of the reasons movies are the quintessential modern art form is that it is partially a business. The director needs a crew - the writer, the producer, etcetera - and to have that, he needs money.
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When I started in the late 1950s, every film I made - no matter how low the budget - got a theatrical release. Today, less that 20-percent of our films get a theatrical release.
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One of the worst things you can do is have a limited budget and try to do some big looking film. That's when you end up with very bad work.
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I've never made the film I wanted to make. No matter what happens, it never turns out exactly as I hoped.
Roger Corman