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A great director, first, is highly intelligent. And he is also a dedicated and willing to work hard. Now those are easy things to identify. The third is the creativity, and that is very difficult to identify in advance. This is why so many of the directors who have started with me were my assistant - the first one was Francis Ford Coppola.

Roger Corman

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Roger Corman
Age: 98
Born: 1926
Born: April 5
Actor
Executive Producer
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Detroit
Michigan
Roger William Corman
Hard
Creativity
Identify
Great
Started
Advance
Work
Willing
Dedicated
Things
Difficult
Highly
Easy
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Coppola
Also
Director
Francis
First
Intelligent
Assistant
Many
Directors
Ford

More quotes by Roger Corman

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In science-fiction films the monster should always be bigger than the leading lady.
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In order to create art today, you have to compromise your art somewhat and be a businessman.
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Other writers, producers, and directors of low-budget films would often put down the film they were making, saying it was just something to make money with. I never felt that. If I took the assignment, I'd give it my best shot.
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I think one of the reasons movies are the quintessential modern art form is that it is partially a business. The director needs a crew - the writer, the producer, etcetera - and to have that, he needs money.
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Motion pictures are the art form of the 20th century, and one of the reasons is the fact that films are a slightly corrupted artform. They fit this century - they combine Art and business!
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Jim Cameron is proof that if you are good, you'll get promoted.
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I've never made the film I wanted to make. No matter what happens, it never turns out exactly as I hoped.
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The safest genre is the horror film. But the most unsafe - the most dangerous - is comedy. Because even if your horror film isn't very good, you'll get a few screams and you're okay. With a comedy, if they don't laugh, you're dead.
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One of the worst things you can do is have a limited budget and try to do some big looking film. That's when you end up with very bad work.
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There are eleven or twelve or thirteen cities in China with populations of over 10 million people and most people in the West have never even heard of these cities.
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When I started in the late 1950s, every film I made - no matter how low the budget - got a theatrical release. Today, less that 20-percent of our films get a theatrical release.
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Somebody said, 'Roger doesn't know how to spend money.' And I thought, 'I don't spend money because I don't have it!' If I had it, I could spend money! That's about the only time I was told that!
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People gravitate occasionally to the brilliantly made art low budget films, which is maybe one out of every five hundred low budget films made.
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I do believe motion pictures are the significant art form of our time. And I think the main reason is, they're an art form of movement, as opposed to static art forms of previous times.
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There's always something that draws you away from the original script.
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There were two practical reasons we moved to Venice. One was that there was an artists movement and a countercultural movement. Lots of people we might want to hire lived in the area. We also wanted to buy in a lower rent area that looked like it was going to be gentrified so that we could eventually sell the studio for more money.
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I'm not going to shoot seven days a week. I think it's counterproductive. I think you're going to have people stumbling around after a couple of weeks.
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I was young, so I was part of youth culture. The years went by, I became older and no longer part of youth culture, and I became more dependent upon the young people in the office and my own children.
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Horror films have been with us forever, so you can't say I originated that in any way, but it sort of brought back a classical way to make a horror film.
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I love the process of making films and an incidental satisfaction is the fact that most of them made money.
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