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I'm a Western-cultured man who subscribes to the ancient saw that men do not cry, I don't cry either. I'll go to a movie, for example, and not infrequently something triggers the urge to weep, but I don't allow myself.

Rod Serling

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Rod Serling
Age: 50 †
Born: 1924
Born: December 25
Died: 1975
Died: June 28
Film Producer
Novelist
Science Fiction Writer
Screenwriter
Writer
Syracuse
New York
Rodman Edward Serling
Western
Infrequently
Allow
Cultured
Saws
Triggers
Example
Weep
Either
Urge
Movie
Urges
Something
Ancient
Men
Cry
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More quotes by Rod Serling

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Personally, my daughter's wedding gave me a tremendous pleasure.
Rod Serling
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I think I'd rather win, for example, a Writer's Guild award than almost anything on earth. And the few nominations I've had with the guild, and the few awards I've had, represented to me a far more legitimate concrete achievement than anything.
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You can be a hunchback and a dwarf and what-all. If you write beautifully, you can write beautifully.
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for civilization to survive, the human race has to remain civilized.
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Hollywood's a great place to live... if you're a grapefruit.
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I miss the comraderie of live television - the fact that you were on the set, you worked closely with the director and the cast, that I miss. But, no, I'm happy, I'm happy doing film.
Rod Serling
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You unlock this door with the key of imagination. Beyond it is another dimension: a dimension of sound, a dimension of sight, a dimension of mind. You’re moving into a land of both shadow and substance, of things and ideas. You’ve just crossed over into… the Twilight Zone.
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Being like everybody is the same as being nobody.
Rod Serling
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This highway leads to the shadowy tip of reality: you're on a through route to the land of the different, the bizarre, the unexplainable...Go as far as you like on this road. Its limits are only those of mind itself. Ladies and Gentlemen, you're entering the wondrous dimension of imagination. . . Next stop The Twilight Zone.
Rod Serling
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The Chancellor, the late Chancellor, was only partly correct, he was obsolete. But so was the State, the entity he worshipped. Any state, any entity, any ideology that fails to recognize the worth, the dignity, the rights of man, that state is obsolete. A case to be filed under 'M' for mankind... in the Twilight Zone.
Rod Serling
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The ultimate obscenity is not caring, not doing something about what you feel, not feeling! Just drawing back and drawing in becoming narcissistic.
Rod Serling
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If you have the temerity to try to dramatize a theme that involves any particular social controversy currently extant. . . then you're in deep trouble.
Rod Serling
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Coming up with ideas is the easiest thing on earth. Putting them down is the hardest.
Rod Serling
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I don't feel, God dictated that I should write.
Rod Serling
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Apparently on the screen I look tall, ageless, and damned close to omniscient-delivering jeopardy-laden warnings through gritted teeth. But when people see me on the street, they say 'by God, this kid is 5 foot 5, he's got a broken nose, and looks about as foreboding as a bank teller on a lunch break.'
Rod Serling
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I find dictating in the mass media particularly good because you're writing for voice anyway you're writing for people to say a line and, consequently, saying a line through a machine is quite a valid test for the validity of what you're saying.
Rod Serling
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I would guess that Ray Bradbury would be equally resentful of what they did with Illustrated Man, which, you know, took a central idea thesis of his and pissed all over it - made it into one of the worst movies ever made.
Rod Serling
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There is a fifth dimension, beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition.
Rod Serling
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I choose to think of tv audience as nameless, formless, faceless people who are all like me. And anything that I write, if I like it, they'll like it.
Rod Serling
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Most screenplays, most motion pictures, owe much more to the screenplay. Ingmar Bergman has such an economy of language, so little language in his piece, it is so visual, his moods are introduced and buttressed by camera rather than by word or character. But again, that's unique.
Rod Serling