Quote

You see. No shock. No engulfment. No tearing assunder. What you feared would come like an explosion is like a whisper. What you thought was the end is the beginning.

Rod Serling

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Rod Serling
Age: 50 †
Born: 1924
Born: December 25
Died: 1975
Died: June 28
Film Producer
Novelist
Science Fiction Writer
Screenwriter
Writer
Syracuse
New York
Rodman Edward Serling
Shock
Beginning
Ends
Thought
Tearing
Come
Explosion
Would
Explosions
Like
Whisper
Feared

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If survival calls for the bearing of arms, bear them you must. But the most important part of the challenge is for you to find another means that does not come with the killing of your fellow man.
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I think I'd rather win, for example, a Writer's Guild award than almost anything on earth. And the few nominations I've had with the guild, and the few awards I've had, represented to me a far more legitimate concrete achievement than anything.
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I'm afraid that if I started to ponder who I am and what I am, I might not like what I find.
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I'm an affluent screenwriter and all that - I'm a known screenwriter, but I'm not in the fraternity of the very, very major people. I would say a guy like Ernie Lehman, William Goldman, and a few others are quite a cut above.
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You can become much more independent, much more courageous with a bank account. And also, much more independent and self-reliant when you know you have money behind you.
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For the record, prejudices can kill, and suspicion can destroy, and a thoughtless frightened search for a scapegoat has a fallout all its own for the children, and the children yet unborn. And the pity of it is that these things cannot be confined to the Twilight Zone.
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I don't feel, God dictated that I should write.
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There is a fifth dimension, beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition.
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Most screenplays, most motion pictures, owe much more to the screenplay. Ingmar Bergman has such an economy of language, so little language in his piece, it is so visual, his moods are introduced and buttressed by camera rather than by word or character. But again, that's unique.
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The most important thing about the first sale is for the very first time in your life something written has value and proven value because somebody has given you money for the words that you've written, and that's terribly important, it's a tremendous boon to the ego, to your sense of self-reliance, to your feeling about your own talent.
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Why do I write? I guess that's been asked of every writer. I don't know. It isn't any massive compulsion.
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If you have the temerity to try to dramatize a theme that involves any particular social controversy currently extant. . . then you're in deep trouble.
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Justice can span years. Retribution is not subject to a calendar.
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There are weapons that are simply thoughts. For the record, prejudices can kill and suspicion can destroy.
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The tools of conquest do not necessarily come with bombs and explosions and fallout. There are weapons that are simply thoughts, attitudes, prejudices . . . . And the pity of it is that these things cannot be confined to the Twilight Zone.
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Apparently on the screen I look tall, ageless, and damned close to omniscient-delivering jeopardy-laden warnings through gritted teeth. But when people see me on the street, they say 'by God, this kid is 5 foot 5, he's got a broken nose, and looks about as foreboding as a bank teller on a lunch break.'
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Personally, my daughter's wedding gave me a tremendous pleasure.
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It has forever been thus: So long as men write what they think, then all of the other freedoms - all of them - may remain intact. And it is then that writing becomes a weapon of truth, an article of faith, an act of courage.
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If you write beautifully, you write beautifully, that's all.
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