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Any state, any entity, any ideology that fails to recognize the worth, the dignity, the rights of Man, that state is obsolete.

Rod Serling

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Rod Serling
Age: 50 †
Born: 1924
Born: December 25
Died: 1975
Died: June 28
Film Producer
Novelist
Science Fiction Writer
Screenwriter
Writer
Syracuse
New York
Rodman Edward Serling
Worth
Rights
Obsolete
State
Fails
States
Entity
Men
Ideology
Recognize
Dignity
Failing

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I'm afraid that if I started to ponder who I am and what I am, I might not like what I find.
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I'm a Western-cultured man who subscribes to the ancient saw that men do not cry, I don't cry either. I'll go to a movie, for example, and not infrequently something triggers the urge to weep, but I don't allow myself.
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There is a fifth dimension, beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition.
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I would guess that Ray Bradbury would be equally resentful of what they did with Illustrated Man, which, you know, took a central idea thesis of his and pissed all over it - made it into one of the worst movies ever made.
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Apparently on the screen I look tall, ageless, and damned close to omniscient-delivering jeopardy-laden warnings through gritted teeth. But when people see me on the street, they say 'by God, this kid is 5 foot 5, he's got a broken nose, and looks about as foreboding as a bank teller on a lunch break.'
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The most important thing about the first sale is for the very first time in your life something written has value and proven value because somebody has given you money for the words that you've written, and that's terribly important, it's a tremendous boon to the ego, to your sense of self-reliance, to your feeling about your own talent.
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All the Dachaus must remain standing.
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Now death is with us in such abundance and hovers over us in so massive a form that we don't have time to invent a mythology, nor is our creativity directed toward same. Now it's to prevent death.
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Justice can span years. Retribution is not subject to a calendar.
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Good evening, and welcome to a private showing of three paintings, displayed here for the first time. Each is a collectors' item in its own way - not because of any special artistic quality, but because each captures on a canvas, and suspends in time and space, a frozen moment of a nightmare.
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You unlock the door with the key of imagination.
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Being like everybody is the same as being nobody.
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I think I would like to be in Victorian times. Small town. Bandstands. Summer. That kind of thing. Without disease.
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For the record, prejudices can kill, and suspicion can destroy, and a thoughtless frightened search for a scapegoat has a fallout all its own for the children, and the children yet unborn. And the pity of it is that these things cannot be confined to the Twilight Zone.
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How can you put out a meaningful drama when every fifteen minutes proceedings are interrupted by twelve dancing rabbits with toilet paper? No dramatic art form should be dictated and controlled by men whose training and instincts are cut of an entirely different cloth. The fact remains that these gentlemen sell consumer goods, not an art form.
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Most screenplays, most motion pictures, owe much more to the screenplay. Ingmar Bergman has such an economy of language, so little language in his piece, it is so visual, his moods are introduced and buttressed by camera rather than by word or character. But again, that's unique.
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I don't have close relationships with agents. They're friends, but they're not confidants.
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If you need drugs to be a good writer, you are not a good writer.
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It's part of the business of really not caring about topping myself because I really don't care what's going to happen. I think just surviving is a major thing. I'd like to write something that my peers, my colleagues, my fellow writers would find a source of respect.
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Why do I write? I guess that's been asked of every writer. I don't know. It isn't any massive compulsion.
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