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If you make money back from your record, you're doing it smart. It's an expensive hobby. I'm lucky enough to still make a living as a musician through live work and odd bits of royalties.

Robyn Hitchcock

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Robyn Hitchcock
Age: 71
Born: 1953
Born: March 3
Film Actor
Guitarist
Recording Artist
Singer-Songwriter
London
England
Robyn Rowan Hitchcock
Stills
Musician
Still
Record
Back
Smart
Royalties
Live
Lucky
Royalty
Enough
Records
Hobby
Work
Bits
Hobbies
Make
Living
Odd
Money
Expensive

More quotes by Robyn Hitchcock

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I don't advocate Stalinist monolithic state structures any more than I advocate capitalistic monoliths. Unfortunately, human society tends to the monolithic, whether you go to the left or right, everybody in leathers, or everybody holding Chairman Mao's book, and if everybody goes to one end of the pitch, I always go to the other.
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People in the future look back on primitive machinery or technology or painting, and in some ways, it always seems amazingly intricate and finely wrought.
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I'm 63. It's kind extraordinary that I'm out here at all and people want to see me.
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Using the word weird implies that there is a norm.
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The band is like a vintage car. You take it out to go for a spin for a couple miles, but you wouldn't drive across the country.
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You realize that the first Bryan Ferry album was pretty good although at the time it seemed a bit cheesy.
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Love is the distance between reality and pain.
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Production is something Ive never come to terms with.
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One of the ideas behind doing this acoustic record is that I didn't want to have to produce it by committee.
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As soon as someone like me or David Lynch pops up everyone says hallelujah, how weird.
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I'm not really a good singer. But most people aren't, either.
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I thin many people's deviant behavior starts with dreams because dreams are so non-linear... as if there's an assumption that everything has to be linear or has to be plotted.
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Playing acoustic and line drawings are the two things I'm most competent at.
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Coming out's the hardest part, when you're Queen Elvis.
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After the Soft Boys I just didn't want to work with any more guitarists.
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Most songs are somewhere between love and death, and mine are no exception.
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After Nashville sushi and a long debate on Bob Dylan, we went into Woodland Studios at 10 pm that night for a look around, and jammed for 5 hours solid.
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If you do things out of time you're weird.
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If I played just one song from every album, I would be onstage for two and a half hours. No one wants a show that long.
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An un-named song is like an un-named child, it has no identity.
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