Quote

People in the future look back on primitive machinery or technology or painting, and in some ways, it always seems amazingly intricate and finely wrought.

Robyn Hitchcock

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Robyn Hitchcock
Age: 71
Born: 1953
Born: March 3
Film Actor
Guitarist
Recording Artist
Singer-Songwriter
London
England
Robyn Rowan Hitchcock
Look
Machinery
Looks
Primitive
Way
Painting
Always
Technology
People
Ways
Finely
Future
Amazingly
Seems
Wrought
Back
Intricate

More quotes by Robyn Hitchcock

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Just as with a guitar, you can improvise a guitar solo, and they'd probably be similar each time, but they won't be exactly the same. With the word, it's probably a bit freer than that. I probably repeat myself more musically than I do verbally.
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There's nothing in the future and there's nothing in the past. There is only this one moment, and you've got to make it last.
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The band is like a vintage car. You take it out to go for a spin for a couple miles, but you wouldn't drive across the country.
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One of the ideas behind doing this acoustic record is that I didn't want to have to produce it by committee.
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I became a musician because that's really what I wanted to do when I was fifteen, but I had other abilities.
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I can tell how I'm doing, and I can tell if the crowd is particularly dead.
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I'm not really a good singer. But most people aren't, either.
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Generally, I have an instinct for the noncommercial. And the unpopular.
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If you miss someone too much you turn into them... though it doesn't seem to work for the Christian Church.
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An un-named song is like an un-named child, it has no identity.
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Most songs are somewhere between love and death, and mine are no exception.
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As soon as someone like me or David Lynch pops up everyone says hallelujah, how weird.
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If you do things out of time you're weird.
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Coming out's the hardest part, when you're Queen Elvis.
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After Nashville sushi and a long debate on Bob Dylan, we went into Woodland Studios at 10 pm that night for a look around, and jammed for 5 hours solid.
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If I played just one song from every album, I would be onstage for two and a half hours. No one wants a show that long.
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I don't advocate Stalinist monolithic state structures any more than I advocate capitalistic monoliths. Unfortunately, human society tends to the monolithic, whether you go to the left or right, everybody in leathers, or everybody holding Chairman Mao's book, and if everybody goes to one end of the pitch, I always go to the other.
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After the Soft Boys I just didn't want to work with any more guitarists.
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Playing acoustic and line drawings are the two things I'm most competent at.
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If people were really naked and everyone knew what each other was thinking, everyone would probably just laugh... or they'd lock each other up.
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