Quote

People in the future look back on primitive machinery or technology or painting, and in some ways, it always seems amazingly intricate and finely wrought.

Robyn Hitchcock

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Robyn Hitchcock
Age: 71
Born: 1953
Born: March 3
Film Actor
Guitarist
Recording Artist
Singer-Songwriter
London
England
Robyn Rowan Hitchcock
People
Ways
Finely
Future
Amazingly
Seems
Wrought
Back
Intricate
Look
Machinery
Looks
Primitive
Way
Painting
Always
Technology

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There's nothing in the future and there's nothing in the past. There is only this one moment, and you've got to make it last.
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I can tell how I'm doing, and I can tell if the crowd is particularly dead.
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I'm 63. It's kind extraordinary that I'm out here at all and people want to see me.
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After the Soft Boys I just didn't want to work with any more guitarists.
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If you miss someone too much you turn into them... though it doesn't seem to work for the Christian Church.
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One of the ideas behind doing this acoustic record is that I didn't want to have to produce it by committee.
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Coming out's the hardest part, when you're Queen Elvis.
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I was always jealous of something getting more attention.
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I'm not really a good singer. But most people aren't, either.
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Using the word weird implies that there is a norm.
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Most songs are somewhere between love and death, and mine are no exception.
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The band is like a vintage car. You take it out to go for a spin for a couple miles, but you wouldn't drive across the country.
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I don't advocate Stalinist monolithic state structures any more than I advocate capitalistic monoliths. Unfortunately, human society tends to the monolithic, whether you go to the left or right, everybody in leathers, or everybody holding Chairman Mao's book, and if everybody goes to one end of the pitch, I always go to the other.
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If people were really naked and everyone knew what each other was thinking, everyone would probably just laugh... or they'd lock each other up.
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As soon as someone like me or David Lynch pops up everyone says hallelujah, how weird.
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I became a musician because that's really what I wanted to do when I was fifteen, but I had other abilities.
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If I played just one song from every album, I would be onstage for two and a half hours. No one wants a show that long.
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Everyone has a right to change their consciousness, but ultimately the whole process is misleading.
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Production is something Ive never come to terms with.
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Generally, I have an instinct for the noncommercial. And the unpopular.
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