Quote

People in the future look back on primitive machinery or technology or painting, and in some ways, it always seems amazingly intricate and finely wrought.

Robyn Hitchcock

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Robyn Hitchcock
Age: 71
Born: 1953
Born: March 3
Film Actor
Guitarist
Recording Artist
Singer-Songwriter
London
England
Robyn Rowan Hitchcock
Look
Machinery
Looks
Primitive
Way
Painting
Always
Technology
People
Ways
Finely
Future
Amazingly
Seems
Wrought
Back
Intricate

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I'm 63. It's kind extraordinary that I'm out here at all and people want to see me.
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Playing acoustic and line drawings are the two things I'm most competent at.
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I was always jealous of something getting more attention.
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If people were really naked and everyone knew what each other was thinking, everyone would probably just laugh... or they'd lock each other up.
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As soon as someone like me or David Lynch pops up everyone says hallelujah, how weird.
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Most songs are somewhere between love and death, and mine are no exception.
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Production is something Ive never come to terms with.
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There's nothing in the future and there's nothing in the past. There is only this one moment, and you've got to make it last.
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Generally, I have an instinct for the noncommercial. And the unpopular.
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If I played just one song from every album, I would be onstage for two and a half hours. No one wants a show that long.
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I became a musician because that's really what I wanted to do when I was fifteen, but I had other abilities.
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If you do things out of time you're weird.
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Just as with a guitar, you can improvise a guitar solo, and they'd probably be similar each time, but they won't be exactly the same. With the word, it's probably a bit freer than that. I probably repeat myself more musically than I do verbally.
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If you make money back from your record, you're doing it smart. It's an expensive hobby. I'm lucky enough to still make a living as a musician through live work and odd bits of royalties.
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Using the word weird implies that there is a norm.
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An un-named song is like an un-named child, it has no identity.
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After the Soft Boys I just didn't want to work with any more guitarists.
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I don't really have the gift of the sustained narrative that you need to write a book. I've tried a couple of times, and it just doesn't work. But I get some good passages, so what I'm going to do is just take sections out of them.
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Coming out's the hardest part, when you're Queen Elvis.
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After Nashville sushi and a long debate on Bob Dylan, we went into Woodland Studios at 10 pm that night for a look around, and jammed for 5 hours solid.
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