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People in the future look back on primitive machinery or technology or painting, and in some ways, it always seems amazingly intricate and finely wrought.

Robyn Hitchcock

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Robyn Hitchcock
Age: 71
Born: 1953
Born: March 3
Film Actor
Guitarist
Recording Artist
Singer-Songwriter
London
England
Robyn Rowan Hitchcock
Back
Intricate
Look
Machinery
Looks
Primitive
Way
Painting
Always
Technology
People
Ways
Finely
Future
Amazingly
Seems
Wrought

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Love is the distance between reality and pain.
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We have a need to be religious, we need to worship, we need to build totems and shrines and icons, but nobody's sure in honor of what.
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I thin many people's deviant behavior starts with dreams because dreams are so non-linear... as if there's an assumption that everything has to be linear or has to be plotted.
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Most songs are somewhere between love and death, and mine are no exception.
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There's nothing in the future and there's nothing in the past. There is only this one moment, and you've got to make it last.
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You realize that the first Bryan Ferry album was pretty good although at the time it seemed a bit cheesy.
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Just as with a guitar, you can improvise a guitar solo, and they'd probably be similar each time, but they won't be exactly the same. With the word, it's probably a bit freer than that. I probably repeat myself more musically than I do verbally.
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I became a musician because that's really what I wanted to do when I was fifteen, but I had other abilities.
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I could never be a professional comedian, 'cause you have to keep telling the same jokes. For me, they're like word solos.
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Playing acoustic and line drawings are the two things I'm most competent at.
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Everyone has a right to change their consciousness, but ultimately the whole process is misleading.
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I don't really have the gift of the sustained narrative that you need to write a book. I've tried a couple of times, and it just doesn't work. But I get some good passages, so what I'm going to do is just take sections out of them.
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One of the ideas behind doing this acoustic record is that I didn't want to have to produce it by committee.
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I don't advocate Stalinist monolithic state structures any more than I advocate capitalistic monoliths. Unfortunately, human society tends to the monolithic, whether you go to the left or right, everybody in leathers, or everybody holding Chairman Mao's book, and if everybody goes to one end of the pitch, I always go to the other.
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After the Soft Boys I just didn't want to work with any more guitarists.
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The band is like a vintage car. You take it out to go for a spin for a couple miles, but you wouldn't drive across the country.
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