Quote

We have a need to be religious, we need to worship, we need to build totems and shrines and icons, but nobody's sure in honor of what.

Robyn Hitchcock

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Robyn Hitchcock
Age: 71
Born: 1953
Born: March 3
Film Actor
Guitarist
Recording Artist
Singer-Songwriter
London
England
Robyn Rowan Hitchcock
Nobody
Sure
Totems
Religious
Shrines
Need
Icons
Needs
Worship
Build
Honor

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People's intelligence tends to be in inverse proportion to their number. People don't tend to get smarter as they get into bigger groups.
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You realize that the first Bryan Ferry album was pretty good although at the time it seemed a bit cheesy.
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Using the word weird implies that there is a norm.
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Coming out's the hardest part, when you're Queen Elvis.
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If you miss someone too much you turn into them... though it doesn't seem to work for the Christian Church.
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The band is like a vintage car. You take it out to go for a spin for a couple miles, but you wouldn't drive across the country.
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I thin many people's deviant behavior starts with dreams because dreams are so non-linear... as if there's an assumption that everything has to be linear or has to be plotted.
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Generally, I have an instinct for the noncommercial. And the unpopular.
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I was always jealous of something getting more attention.
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If you make money back from your record, you're doing it smart. It's an expensive hobby. I'm lucky enough to still make a living as a musician through live work and odd bits of royalties.
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One of the ideas behind doing this acoustic record is that I didn't want to have to produce it by committee.
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If you do things out of time you're weird.
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An un-named song is like an un-named child, it has no identity.
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Just as with a guitar, you can improvise a guitar solo, and they'd probably be similar each time, but they won't be exactly the same. With the word, it's probably a bit freer than that. I probably repeat myself more musically than I do verbally.
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After the Soft Boys I just didn't want to work with any more guitarists.
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There's nothing in the future and there's nothing in the past. There is only this one moment, and you've got to make it last.
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Everyone has a right to change their consciousness, but ultimately the whole process is misleading.
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I can tell how I'm doing, and I can tell if the crowd is particularly dead.
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If I played just one song from every album, I would be onstage for two and a half hours. No one wants a show that long.
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I don't really have the gift of the sustained narrative that you need to write a book. I've tried a couple of times, and it just doesn't work. But I get some good passages, so what I'm going to do is just take sections out of them.
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