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I was always jealous of something getting more attention.

Robyn Hitchcock

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Robyn Hitchcock
Age: 71
Born: 1953
Born: March 3
Film Actor
Guitarist
Recording Artist
Singer-Songwriter
London
England
Robyn Rowan Hitchcock
Jealous
Attention
Getting
Something
Always

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Coming out's the hardest part, when you're Queen Elvis.
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I thin many people's deviant behavior starts with dreams because dreams are so non-linear... as if there's an assumption that everything has to be linear or has to be plotted.
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Everyone has a right to change their consciousness, but ultimately the whole process is misleading.
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People in the future look back on primitive machinery or technology or painting, and in some ways, it always seems amazingly intricate and finely wrought.
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After Nashville sushi and a long debate on Bob Dylan, we went into Woodland Studios at 10 pm that night for a look around, and jammed for 5 hours solid.
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Playing acoustic and line drawings are the two things I'm most competent at.
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Love is the distance between reality and pain.
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There's nothing in the future and there's nothing in the past. There is only this one moment, and you've got to make it last.
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An un-named song is like an un-named child, it has no identity.
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If you miss someone too much you turn into them... though it doesn't seem to work for the Christian Church.
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Using the word weird implies that there is a norm.
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Just as with a guitar, you can improvise a guitar solo, and they'd probably be similar each time, but they won't be exactly the same. With the word, it's probably a bit freer than that. I probably repeat myself more musically than I do verbally.
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I could never be a professional comedian, 'cause you have to keep telling the same jokes. For me, they're like word solos.
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Production is something Ive never come to terms with.
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I became a musician because that's really what I wanted to do when I was fifteen, but I had other abilities.
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One of the ideas behind doing this acoustic record is that I didn't want to have to produce it by committee.
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Generally, I have an instinct for the noncommercial. And the unpopular.
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We have a need to be religious, we need to worship, we need to build totems and shrines and icons, but nobody's sure in honor of what.
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I don't advocate Stalinist monolithic state structures any more than I advocate capitalistic monoliths. Unfortunately, human society tends to the monolithic, whether you go to the left or right, everybody in leathers, or everybody holding Chairman Mao's book, and if everybody goes to one end of the pitch, I always go to the other.
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Most songs are somewhere between love and death, and mine are no exception.
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