Im not one of those authors who claims to hear voices in my head or let the characters speak through me, whatever that might mean.

They ask how the universe is arranged, philosophers, mathematicians, and they draw pretty pictures, impossibilities on the page. They save phenomena by telling one ugly lie after another, epicycles upon epicycles, and the fools care not. It is not enough, I tell you, to ask how the cosmos is designed. We must ask why.

Don't go looking in dark places, because dark things live there.

The Waking Dark is about what happens when something awakens a towns darkest impulses and unleashes them on the world.

I used to be an obsessive outliner - figuring that writing without an outline was like jumping off a cliff and building a parachute on the way down.

Not that my arms are getting tired or anything, but... how much longer is the hugging phase going to last?

Teen fiction should be about teenagers - no matter how many arguments there are about what YA lit should be, this seems like the one thing we can all agree on.

I try not to think too much about an audience when Im writing the first draft of a book - at that stage, the prospect of anyone reading what Ive written would be enough to scare me into setting my laptop on fire.

A fundamentalist is someone who wants to substitute what he believes for what you believe, Max said. And someone who thinks he knows the will of God better than anyone else.

You don't even realize you're living in a before until you wake up one day and find yourself in an after.

There are some moments you'd rather sleep through, pass from point A to point B without awareness of the time passing or the events that carry you from present to future. And it's mostly those moments in which it's smarter-safer- to stay awake.

I longed to return to that bloody riverbank, to throw myself in the path of the final arrow, to die ignorant, and so, in love. Better to be killed by an arrow than by the words of the one I most trusted.

Nor did I need anyone's pity, but I would accept it with grace, because I have been well trained. Rudeness was a sign of weakness. Grace stemmed from power, the powere to accept anything and move on.

I guess that's the secret. It would never have occurred to Lia to want to escape -- but then she gets kicked out. Best thing that ever happened to her? I'm not sure she would say yes, because obliviousness tends to be rather pleasant, but once you realized you've been bolivious, there's no turning back. You can't un-know what you know. You know?