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I saw corpses, and grew used to their unimportant look, for a dead man without any of the panoply of death is a desperately insignificant object.

Robertson Davies

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Robertson Davies
Age: 82 †
Born: 1913
Born: August 28
Died: 1995
Died: December 3
Journalist
Literary Critic
Musicologist
Novelist
Playwright
Professor
Reporter
Writer
William Robertson Davies
Looks
Saws
Men
Objects
Dead
Panoply
Grew
Corpses
Death
Unimportant
Used
Desperately
Look
Insignificant
Without
Object

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Art is wine and experience is the brandy we distill from it.
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These matters require what I think of as the Shakespearean cast of thought. That is to say, a fine credulity about everything, kept in check by a lively skepticism about everything.... It keeps you constantly alert to every possibility.
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In my experience tact is usually worse than the brutalities of truth.
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Tristan and Isolde were lucky to die when they did. They'd have been sick of all that rubbish in a year.
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Canada, having few indigenous prejudices, has been compelled to import them from elsewhere, duty-free, and it is the rare Canadian who is not shaken, at some time in the year, by old, unhappy, far-off things / And battles long ago, like Wordsworth's solitary reaper. We are a nation of immigrants, and not happy in our minds.
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Several children present me with scraps of paper for autographs: obviously don't know who I am and don't care. I sign Jackie Collins and they go away quite content.
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People are not saints just because they haven't got much money or education.
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Like it or not, to reach middle age with less money or less prestige than our father had is somewhat to lose face. Stupid of course, when put like that, but who is prepared to argue that we are not stupid in several important ways?
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Very few [doctors] are men of science in any very serious sense they're men of technique.
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Civilization rests on two things, said Hitzig the discovery that fermentation produces alcohol, and voluntary ability to inhibit defecation. And I put it to you, where would this splendidly civilized occasion be without both?
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One of the things that puzzles me is that so few people want to look at life as a totality and to recognize that death is no more extraordinary than birth. When they say it's the end of everything they don't seem to recognize that we came from somewhere and it would be very, very strange indeed to suppose that we're not going somewhere.
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I cannot imagine any boy of spirit who would not be delighted to play a drunkard even to vomiting in front of his Sunday school. Indeed, the vomiting might be the chief attraction of the role.
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It is in this matter that I fall foul of so many American writers on writing they seem to think that writing is a confidence game by means of which the author cajoles a restless, dull-witted, shallow audience into hearing his point of view. Such an attitude is base, and can only beget base prose.
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The most original thing a writer can do is write like himself. It is also his most difficult task.
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One learns one’s mystery at the price of one’s innocence.
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In my collection, to me at least, the theatre of the past lives again and those long-dead playwrights and actors have in me an enthralled audience of one, and I applaud them across the centuries.
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No, it's the musicians and I must say they are an accomplished bunch, but odd, as musicians tend to be. Is it the vibration from their instruments, do you suppose, working on the brain? All that fraught buzzing?
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They're all so highly educated, you know. Education is a great shield against experience. It offers so much, ready-made and all from the best shops, that there's a temptation to miss your own life in pursuing the lives of your betters. It makes you wise in some ways, but it can make you a blindfolded fool in others.
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Let people alone. Let them find their way. Let them find their level and you may sometimes be delighted and astonished at the extraordinary high level to which they'll rise if they're let alone.
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Though thousands of people indulge themselves in it regularly, and even develop a taste for it, there is no doubt in my mind (and that of scientists whom I employ to prove it) that Work is a dangerous and destructive drug, and should be called by its right name, which is Fatigue.
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