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There are people I would like to work with. Its a bit harder, because I live out in the sticks anyway, and plus being in a wheelchair means that I cant really circulate. So I tend to stick to my own thing.

Robert Wyatt

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Robert Wyatt
Age: 79
Born: 1945
Born: January 28
Composer
Drummer
Musician
Recording Artist
Singer
Bristol
Gloucestershire
Robert Ellidge Wyatt
Mean
Stick
Thing
Anyway
Work
Sticks
Really
Tend
Circulate
Would
Harder
Wheelchair
Like
Bits
Wheelchairs
People
Means
Cant
Live
Plus

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People who had empires, unfortunately, want them back eventually, somehow, someway.
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What keeps me going is a constant sense of disappointment with what I've already done.
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I was a latecomer to politics. Maybe I'm just very slow. I got to everything when everyone else had left.
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There's no field of music which doesn't have good ideas.
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The cultural mix that's happened in the United States is wonderful! Funny enough, one of the most wonderful things about it is that there is no American race.
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I play music a lot but on my own mostly, so it was nice to be around other people. There was a certain sense a relief in the physical act of just playing and being with other musicians.
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The most effective instruments do have a vocal quality.
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If you've never felt that you quite got a hold of it, you just feel that before you die, you've got to try and get it right once. And hope that the experience you have makes up for the some of the diminishing energy.
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I think the people who did well, or are happy, in a youth industry, they define themselves out of the business after a decade or so.
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I don't find the business easy. The moment you start talking about the business, you start sounding like someone in Spinal Tap.
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I've always liked pop music. There was a bit of a misunderstanding with the avant-garde rock scene, because I think I was sort of swimming the wrong way, really.
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It just doesnt mean anything to me, the high-profile, big money side of things. I just want enough to live on, and to be able to get on with what I do, and hang around my friends.
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My heroes are people like Picasso and Miro and people who at last really reach something in their old age, which they absolutely couldn't ever have done in their youth.
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I think that pop, and to some extent rock, are like sport and fashion industry in that they're about the exuberance of youth. That's the sort of subliminal ideology.
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Being big and famous doesn't get you more freedom, it gets you less.
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I looked at what adults were doing and how they wanted to earn money, and I really didn't want to do that. I wanted to go away.
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I find writing songs hard, because it does not come naturally to me. I never set out to be a songwriter or a singer.
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Drinking was a big help with me making music, because drinking gives you courage. But it also makes you reckless, and that's the trouble.
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I just saw a recent television program about art, and it was saying how from the end of the Second World War, so much of what our culture is comes from not just the United States in general, but New York in particular. In my case, I can't imagine my life without the extraordinary bebop jazz revolution in New York in late '40s and '50s.
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The United States is a country where everybody can start again.
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