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The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.

Robert Smithson

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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Everywhere
Surfaces
Surface
Generalization
Becomes
Spreads
Eye
Museum
Artist
Collection
Museums
Untitled
Collections
Generalizations
Spread
Mobilize

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Nature does not proceed in a straight line, it is rather a sprawling development.
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Language should find itself in the physical world, and not end up locked in an idea in somebody's head
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From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
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A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
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As long as cameras are around no artist will be free of bewilderment.
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An emotion is suggested and demolished in one glance by certain words.
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Artists are expected to fit into fraudulent categories.
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Museums are tombs, and it looks like everything is turning into a museum.
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Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control
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A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.
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The memory of what is not may be better than the amnesia of what is.
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The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
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Mistakes and dead-ends often mean more to these artists than any proven problem
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When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
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Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
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A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
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Abstraction is everybody's zero but nobody's nought.
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Visiting a museum is a matter of going from void to void.
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Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
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Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
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