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The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.
Robert Smithson
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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Eye
Museum
Artist
Collection
Museums
Untitled
Collections
Generalizations
Spread
Mobilize
Everywhere
Surfaces
Surface
Generalization
Becomes
Spreads
More quotes by Robert Smithson
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
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Language should be an ever developing procedure and not an isolated occurrence.
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Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
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Abstraction is everybody's zero but nobody's nought.
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Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
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The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
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As long as cameras are around no artist will be free of bewilderment.
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Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
Robert Smithson
From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
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Nature is never finished.
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A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.
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Artists are expected to fit into fraudulent categories.
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I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.
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Nature does not proceed in a straight line, it is rather a sprawling development.
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The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
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Museums are tombs, and it looks like everything is turning into a museum.
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Artists themselves are not confined, but their output is.
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An emotion is suggested and demolished in one glance by certain words.
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A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
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Mistakes and dead-ends often mean more to these artists than any proven problem
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